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Showing posts with label Aesthetics. Show all posts
Showing posts with label Aesthetics. Show all posts
Oct 1, 2016
In 2095 when everyone in this world will be prosperous enough they will realise money wasn't the cure mankind was looking for.
************************************************
So whats this pursuit today for?
We have vision and plans for cities, organisations and society for another 30, 50 and 60 odd years and we are bullish and content about that, but that's still myopic considering its been thousands of years since we emerged as human from monkey and we are yet capable of seeing just this deep into the future. Mankind's wit, confidence and reliability of calculations can only be judged with this fact that while most of us know what happened 300 years ago in world event, almost none of us know neither care to know who were our forefathers 300 years ago down the family tree. So our judgement, planning and projections are just limited to more or less couple of decades beyond today since only that's how far we are able to gaze and comprehend thinking that's what we will be able to control and we keep planning and improving our and world's living standards.
All this socioeconomic efforts currently points and culminates towards single point solution and agenda - "Money", as we think money is the only ultimate cure and panacea for human misery. So consider a hypothetical future year when everyone in this world will have enough money to get a good and convenient life, then what? Will we simply keep improving lifestyle and comfort of mankind to say we are evolving and in business as usual we might evolve and mutate into something biologically like we became human from monkey. Is that all? Its hard to accept that purpose of human life is just to strive and adjust to better lifestyle, better food and better comfort, Is that what we are targeting and moving towards or is it a futile chase. Can we give our kids a better larger purpose to target and approximate than spoon feeding them to simply accumulate wealth throughout life and perish. Does anyone see convergence and culmination of future social planning and spiritualism for instance? Does anyone think about satisfying poor man's intellectual hunger or our thoughts are only limited to giving him a piece of bread thinking we have done our bit?
Mar 15, 2015
No such thing as Level Play Field or Even Ground...
Labels:
abstract,
Aesthetics,
Design,
facebook,
Landscape,
Landuse,
Photography,
Urban Art
Location: Netherlands
Varanasi, Uttar Pradesh, India
Dec 16, 2014
Photography = Skill + Timing + Luck
Being there at that very moment is more important than which camera you are using, which reinstate the fact that anyone with a reasonable sense of aesthetics can be a good photographer. #theywalkamile #insearchofwater
Ladies with water vessel |
or follow on Twitter @urbanoregional
Labels:
abstract,
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Photography
Location: Netherlands
India
Apr 26, 2014
Art on Autopilot - Since you dont have time!
Long back read that some sculptor spent his whole life making several sculptures for a large garden, sounds cool but what a waste of life, seriously! In case you paint a Monalisa or something than you might think its worthwhile, since you made a masterpiece for generations to come, but all of us ain't Vinchi.
With whatever capabilities we possess we can have two possible choices to make, one is to make a masterpiece to be remembered or to create abundance of art for yourself and for humanity. Abundance can give you instant opportunity to channelise your creative energy rather than waiting to make that one masterpiece for which you are waiting since last 10 years. And we are not talking about just fine arts, it can be anything, any form of creative affair which you love to be engaged in, you see even pattern of numbers is art for statistician, that's art for her!
So how will you create abundance when art is not your bread n butter and you are ever occupied with inexhaustible to-do list for your lifetime. Solution is to put your art on an autopilot mode. Making art anywhere everywhere, art which consumes least amount of time but is still an art to your satisfaction.
To keep your thinking wheel rotating an example can be like; take a complex peice of sculpture or object or take simply a junk, spill a bucket or mug of water in front of it, see the amazing reflection in water, now click or capture or paint or draw that reflection or the whole environment or simply observe and feel blessed to see your creation, additionally spill some paint in the water or add a mirror in the backdrop if you want or just do anything you like and your are ready with your art piece.
Idea is that it might take substantial time to create that very sculpture or art piece for example, whose reflection you are trying to capture but the moment you added thin film of water or a mirror for example the whole dynamics changed, now the whole setting is complex enough to qualify for an art, your personal art. See Master Artists used to paint pomegranate and guava to create classic masterpiece called “Still Life”, you simply cut them in half and one-click-capture the intricate pattern or just cut-n-shape them in cube and you are ready with your modern piece of art.
The best thing is that it’s you who have created this art, and you own this art; at least it gives you satisfaction to see your creativity manifested, in a blink of eye almost. This shortcut of art is just an example, because you were really running short of time to be devoted to art but you really wanted to create some, now you can think of infinite possibilities to dump the excuse that you could have created something only if you had time. This is how you beat the art!
Mar 7, 2014
City of Portrait hunters!
City, such interesting place it is with such interesting people. City, where every day is another odd day for accidental encounter with interesting people, subject of inspiration, portraits!
Every thinking face on a street and every thought engrossed expressions on a public transport here is portrait worthy character it seems. Expressions with hints of accumulated experience still hidden behind unfathomable layers of time, and wrapped under imposed smile, only occasionally revealed by the true talkative eyes. City filled with such inexhaustible supply of interesting characters is a true shrine for portrait hunters whether artists, photographers, writers or movie directors.
Dec 27, 2013
Oct 27, 2013
Decoding secrets of good visuals - What makes some images and photographs stand out from the crowd
Some tips, tricks and subjects of images,
graphics and photographs which is bound to cast a spell
1) B&W background subject with semi-transparent
bright techno/pop color in foreground
2) Picture with range of depth and focus
3) Green appeal in innovative way
4) Lush rainy/moist green landscape in terra
incognita
5) Realistic corporate affair capturing the mood of
subject and vibes of business minus ( - ) plastic smiles
6) Simple things in perspective view
7) Pattern or geometry unseen before
8) A well framed shot of pets or wildlife with
serious engaging looks
9) Capturing Interactive and playful pets
10) Green appeal in innovative way
11) Bird’s eye view of Rooftop innovation
12) Well framed commercial subject
13) Black & Yellow Composition
14) A well framed worm’s eye view of skyscraper or
anything towering
15) Caves or any undulating interior, lit with
bright morning sun displaying excellent interplay of light and shadow
16) Translucent colored containers
17) Hand drawn-water color effect in this era of 3D
Simulation
18) Morning sun rays filtered through simply
anything
19) Innumerable colorful interplay of sunlight and
cloud at dawn, dusk further accentuated if captured in hills
20) Laughing giggling girls
21) Asymmetrically captured frame of symmetrical
building or symmetrical something
22) Translucent building glowing from inside -
filtered hint of colors further acts as charm
23) White doodle on black background, call it old
school blackboard nostalgia or whatever!
24) Futuristic ambiance and setting seemingly within
reach in near future, not just another fancy unreachable idiosyncrasy
25) Anything overwhelmingly luxurious and classic
specially interiors
More to come….
You might
also like-
Oct 6, 2013
Why architectural clients should be more demanding today?
Need of "Creative
demand" and false in-vogue benchmark of "what is good!"
In a time of century when you should be asking for interactive customizable
digital walls for your indoors as a client you are still busy choosing wall
colors and wallpaper patterns, in a time when you should be demanding multiple
mood lighting possibilities for your every room you are apparently happy and content with your stylish off-the-shelf chandelier and much propagated energy saving CFL lighting fixtures, when you should be asking your architect what
kind of living experience he or she is envisaging and designing for your home,
you are busy asking what would be the effective sqft area of your house, when
you should be deliberating about multi-tier security system for your hard
earned asset called home, you are busy choosing stylish looks of your
door knob, when you should be looking for indoor ambiance inspired by your sun-sign,
you leave this design choice to the idiosyncrasy of architect after little
deliberation, who will now design "your" house inspired by his or her
"own" sun sign traits - if you believe in such thing called sun sign! And there are ample other examples which demonstrate you are more or less content will "Less" when it comes to Architecture for your home.
You
do demand as an architectural client but mostly in a wrong direction. And you
know, you only get what you ask for. You
really need to channelize your demands towards design, ambiance, technology
integration, customization and personalization and to the little architectural
elements which is going to make your life better and effortless at home. All you
need to do is to be little more creative in your demand. Also you need to shed
this notion that “popular is good”, that’s not the case when it comes to
architecture because you as an individual or a group of family might have a
totally different needs and aesthetic perception than your friends, or neighbor
or that guy with million dollar Mansion, so your house need not necessarily be
exactly like others no matter how tempting those options are.
You see, if you are of this opinion that insisting your architect for your favorite pink or blue color for your living room wall makes you a good client, then you need to take a look way back to realise that those cave men were more creative for their homes, decorating their caves with such amazing cave paintings or drawings, even after thousands of years later you are still struggling to decorate your living room wall with pink or blue or some painting of great artist! Have you really evolved in this large span of time or are you repeating the same old story in some way or other. That full clad digital living room wall which you can color customize everyday or on which you can write your daily to-do-list or which can remind you of unpaid bills in a flash or where you can leave a message for your loved ones while leaving home is just an example to make your realise that there are no boundaries which defines and restricts architecture or interior design.
The best part is that architects like challenges, so if you demand "more" as a client in terms of stretching the possibilities of design and innovation, they would be more than happy to help you and probably will give you something many shades better than your expectations, all you have to do is to be little more creative in your demand.
Labels:
Aesthetics,
Alternative Energy,
Architecture,
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blog,
Green Architecture,
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solar,
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Location: Netherlands
Netherlands
Sep 28, 2013
15 things I learned in 10 minutes about photography - Flipping through a reputed travel guide book
Amazing revelations about
Photography-
1) It’s not just about Iconic structures or monuments it’s about capturing their interaction with the people
2) If you are capturing a lively street,
capturing an element of motion is a must (people, car etc.)
3) When capturing sculptures or carved
details in the open sun, wait for the right time of the day for the perfect shadow
which accentuates the dimension and details of subject
4) Capture the clouds in the background
(particularly at dusk ) and half the job is done
5) Capture water fountain in the foreground and half the
job is done
6) Capture someone capturing others (seems
a cheap trick though)
7) If you capture street dining you must
capture some element of service - something being served or by someone who is
serving the thing
8) If capturing museum or exhibition
you must capture the chemistry between the exhibit and spectator, capture someone
quite still and who is trying to understand and appreciate the meaning of exhibit
9) Capturing the public spaces,
capture the people and their behavior at the very intersection of daylight and shadows (it naturally
captures the human dilemma of judgment whether to go out in open sun on stay in
the shadow)
10) When capturing motion you must have
something static for reference, but for best results “that static one” has to
be the one of the vary things which are moving (people, car etc.)
11) Capture a glass building at dusk at the very
moment when it gets illuminated in the evening while it is partially illuminated
from outside as well from setting sun
12) There is at least one definite
location from where the famous sculpture or display (or structure) looks
perfect (and usually it’s the most abused one as well, since whole world seems to
capture the shot from the same point)
13) When taking a shot of any high end
restaurant dining scene, don’t just
capture the food and luxury, and candlelight, you need to capture the people
having supper, with their interactions
and their exaggerated animated expressions
14) When in vegetable market capturing a vendor
interacting with customer, a price list smudged with chalk or otherwise in the
backdrop is must.
15) Shop display window + scripted shop name
typo + passer by = classic shot without fail
Another
series of interesting observations will be part of upcoming posts, Join me on twitter @urbanoregional for updates. Your view and experiences are most
welcome.
You
might also like following post :
Sep 25, 2013
What does growth cycle of design industry looks like?
Design industry follows a repetitive elliptical
growth path.
More than say 90 percent of designers still use direct or derivatives of primitive or rather eternal geometrical building blocks as raw material- shapes and surfaces, like circle, triangle, square, prism, hyperbole etc. and remaining 10 percent relentlessly trying to unearth some divine pattern or previously unseen building blocks or magic design elements, anxiously looking here and there for some clue, looking into microscope, looking up to nature, science, nano technology, microbiology, history or mythology or whatever or simply resorting to hallucinated inspiration, so that some divine "never before design element" descends upon them out of luck, while still acknowledging that those basic geometric building blocks like triangle and circles are not going to go away anywhere soon, probably never.
So,
when majority of fundamental design elements have remained exactly the same
throughout the evolution of design industry, this industry is bound to follow a
recurring path starting from basics, evolving on the way through innovation,
reaching to maturity, taking an inspirational U-Turn and finally going back to
its roots, from where it all started. Apparently a perfect circle of growth;
but it goes further, we haven’t talked about technology yet, this ever evolving
technology provides designers even bigger opportunities, with new materials,
new textures, enhance durability and elasticity, new colors, new opacity newer viscosity
and so on, which helps prolong this period of growth cycle pushing this
circular trajectory to follow an even larger elliptical path, finally going
back to its roots just to be born again.
You might also like this post - Artificial Sonic Urban Environment to break the monotony of City!
Labels:
Aesthetics,
Architecture,
Art,
blog,
City Planning,
color,
Data visualisation,
Form,
forum,
growth,
growth model,
Landscape,
Landuse,
Neighborhood,
Networking,
Tour Plan,
Tourism
Location: Netherlands
Netherlands
Aug 30, 2013
Let me show you the true artist in you!
No art is as inclusive as fine arts or call it whatever.
It seems every single person is born with artistic talent specifically more pronounce and visible in the field of fine arts, abstract art or call it whatever, an artist even in you, whether you consider yourself an artist or not that is irrelevant, proof is your childhood notebook filled with weird characters drawn by you and spoiled pages of your dad's diary and all the tattoo that you made on your hand, graffiti on your school desk and crayon spoiled walls of your house where you spent your childhood days and that creative surge when you were staring at the damp basement or loo walls trying to infer some meaning out of those grunge damp patterns, or even today if you occasionally tend to draw a smiley face on moist, dew clad surface and so on. Every adult was an artist in his or her childhood so they are today, so are you.
Every child with his or her genuine creativity, making and living their own dreams in their sketchbook or on wall, vivid and real in their own imagination, a spell-bounding piece of rawness with bit of influence from surrounding, and we are not talking about all the art and craft assignments forced by educational curriculum and competition, those are plastic, manipulated, and imposed, threatening and robbing the very creative rawness of child. We are not talking about biased aesthetic judgement here. We are talking here for example the child's own interpretation of how round a sun should be or how round his dexterity allows him to draw it, not the Vinchi style geometric perfectness of circle which we tend to impose on them. Since art being essentially a true expression of self does not necessarily demands shape of circle to be a perfect circle so it really doesn't matter how well you used to draw a circle to qualify as an artist in your childhood, and since art is beyond the clutch of time so if you draw the similar weird circle today when you are grown up it is still an art and so you are an artist. Another reason is that if making a perfect circle is a qualification criteria for an artist than our computer or tab can do that job better than our master artist.
So acknowledging the truth of your own childhood talent now you can appreciate the works of kids around better. Not judging them on their perfectness but admiring them for their innocence. You see these kids will grow up one day and change the very definition of understanding of what an art should be. After all its art if you can prove it.
You might also like to read this post on "design diplomacy"
You might also like to read this post on "design diplomacy"
Jul 30, 2013
Conserving inherited heritage - an urgent challenge!
Need of a micro conservation policy.
We let our inherited ancestral heritage decay, gathering dust and slowly fading away in the oblivion, inheritance sometimes tangible like that beautiful gramophone, that antique classic chair, that vintage album of family photograph or that intricately carved wooden window of ancestral home somewhere in suburb, inheritance at times even intangible like values, culture, stories and learning, family heritage dilapidated usually due to ambiguous responsibility among siblings, lack of time, lack of alacrity and most importantly in absence of micro conservation mechanism, because we feel disoriented and helpless in absence of such mechanism, a guideline, a supportive hand saying "let me help you conserve your family heritage because we know how important it is for you, and equally important for our nation, because these little inherited objects, antiques, collectibles, vintage photographs, values, stories, prose, poetry, proverbs, lessons, and so on make the larger heritage pool of historical cultural and social importance. You can call it “crowd sourcing of heritage” which subsequently contributing to nation's image building, while maintaining a stock of inheritance.
This micro conservation mechanism should be prepared by government because heritage even individually possessed is something of national value and something to be proud of and something which should be preserved and documented immediately for the future generation. These family heritage need not necessarily be kept in museum just because it’s of national significance, we can rather let them be with those families and individuals who inherited them, but we must make an effort to help them conserve it, governments role can be as a facilitator, trainer, protector, documenter, providing manpower and finance to restore protect and document every piece of family heritage without getting into affairs of taxation and legality, with sole focus of preservation and documentation of objects of historical importance whether for individuals or for nation, documenting design, motifs, techniques, skill set, learning, stories etc. which are going to corrode and disappear in thin air otherwise!
Labels:
Aesthetics,
delhi,
Destination,
Development,
Disaster Management,
downstream befits,
growth model,
Guidelines,
Heritage,
Housing,
India,
Tourism,
Transport Planning,
Urban Design,
Urban Planning
Location: Netherlands
India
Oct 21, 2012
Still untapped potential of raw satellite images for city planners!
Urban Planning satellitexted
Satellite view of urban alphabet |
Love exploring cities from the eyes of satellites! they tell stories which were never written, imprints of time still visible, you see a city, you see it growing, you see where its going, you learn where it comes from. They say you need to travel if you want to learn, you confront with knowledge and experience while travelling. Some tools like free or else satellite imageries were not available for planners decades back or even recently, by the time it arrived for planners as a tool, GIS and satellite image interpretation etc. also accompanied and hence all the focus shifted towards degitising the whole world including your neighborhood street and front yard, making layers after layers, though they sure help planners in many ways, but you know at times on feels that in this whole process of mechanization and automation and interpretation, the shear beauty of raw, as it is satellite images and views are loosing its significance.
The naked and raw satellite images of earth like as seen in google earth can tell things and give clues which even high level high resolution satellite image interpretations can't tell, the judgement of human eyes and brain, not just the computer processor, once in a while for sake for fun learning at least. Urban planners, transport planners and so on planners need to see and understand the random behaviors of random cities across the world, travel wont be possible and you don't have enough time to wait for that as well so go explore a city, any city or settlement or villages on google earth or something, every time you will go there you will learn something. Don't get simply spoon-fed by other's version of what that particular city is all about, go learn yourself through your own version of experience, through satellite images, if you are not familiar with the streets and terraces and vegetation of a city from its aerial or satellite dimension, your all efforts to become a good planner is halfhearted. Explore to understand and share with the world or simply use this learning in you next city planning or development project. There is always more than you can explore there!
Labels:
2012,
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Location: Netherlands
Netherlands
Oct 16, 2012
Sep 28, 2012
The only sustainable retrofit whether it’s a product or city environment
To leave scope for
future retrofits in the moment you conceive the idea of product or vision of a
city.
Today
you realize after 5 or 20 or 30 years that this product or system or
infrastructure which you had planned back then with the most sophisticated
tools and technology available at that time, with the best brains at disposal
and the best hands available, that robust system of past desperately needs a
technology overhaul and efficiency retrofit today, just to validate its
contemporary relevance and to drag itself for few more miles in the tomorrow,
but it would have been quite difficult for you to confront and accept this
apparently unpleasant fact that this product, infrastructure, system or even
strategy which you claim to be the most advanced and avant-garde today is very
soon going to be outdated, very soon indeed!! Acknowledge it or not, that’s how
it works, especially when technology, planning and policy is concerned only
thing which remains eternal is aesthetics and nostalgia associated with such technology,
possibly that’s why many people still prefer analog watch over digital one,
that’s totally a personal choice.
Change
is not only an integral law of nature but equally a law of technology,
inevitable like growth of humanity, because humanity is curious and that’s why
innovation and hence need to replace and retrofit old technology. Problem with
the contemporary approach of planning and product design is that we tend to
conceive and create a system or product which is 100% complete in its form and
design “today” leaving no scope for future integration except few exceptions,
even knowing that need for retrofit is waiting only at the next turn of system
or product life-cycle You see those
overly stuffed embedded products, jam packed conduits, circuits and channels,
overcrowded service corridors, saturated underground utility trench,
suffocating right of ways (ROW), chaotic narrow streets, thousands of
unventilated unlit city rooms and residences, all of this have two things in
common, one, is the shear lack of vision and second, ignorance to change.
Change which is inevitable, but we are happy and content with what we have
planned today, who cares for tomorrow? Meanwhile, you enjoy all the attention
and praise because of your new product and system. They might even have bagged
few awards for best innovation and work in the field, but it all doesn't really
matter if that product or vision fails in next couple of years. The single
largest criteria of product or planning judgment and evaluation has to be
sustainability, which means your product or system or vision have to have an
inbuilt scope for absorption of future technology and efficiency integration
for sustainability, to keep up with future pace of life and lifestyle.
Lets
talk something about "sustainability" here. The word
"sustainability" has been exploited much in recent years increasingly assuming a very narrow meaning
just revolving around "anything green". Lets keep in mind that being
or doing green is just a piece of sustainability. Sustainability is much more,
it is vastly inclusive a phenomenon, it is about the whole life cycle of
product or system or plan. if you make a greenest product on earth which has a
life span or tech-viability span or people-acceptance span of one or two year
that is not sustainable when compared to a product which is though not so green
in its DNA but which has a larger life span or acceptance span of may be half a
decade or so or more. All the resources
which has gone into making of that short lived green product goes to
vain at the end of its functional or acceptance span but the similar
resources which has been consumed in making
that not so green product with a much longer life span seems more sustainable
an option. Using 5 most
"greenest" products of same use one after another in just five years
is much less sustainable than using 1 single "not so green" product
for 5 years.
Now
today you realize that environmental laws have become more stringent, people
have become more educated, aware and choosy
technology has become more and more complex and sophisticated, every
coming tomorrow product or system of yesterday is becoming obsolete, what to
do. We can’t really plan for something which has not been invented yet, but we
can always try to leave some scope for future integration, for the time when it
is invented. It might add to few percent of capital or man hour but it’s worth
giving a thought. Acknowledging the need for future retrofit and leaving some
scope for it today will make our life easy tomorrow, products more relevant and
cities more sustainable.
Labels:
Aesthetics,
Design,
Ecosystem,
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Location: Netherlands
Netherlands
Sep 21, 2012
Sep 16, 2012
ARTnDESIGNSTORE
All your design needs
Abstract Art, to Graphic Design, Home Décor & Interior Design to Product Design, Thematic Sculptures and more.
Abstract Art, to Graphic Design, Home Décor & Interior Design to Product Design, Thematic Sculptures and more.
Sep 13, 2012
For those who are very fond of Urban Axis…
Diluting significance of urban Axis due to land constraint and transit retrofits??
At times you see someone being possessive or rather poetic about linearity of city architecture and geometry of urban fabric, being very peculiar about alignment of streets and visual axis, there is fair chance that he or she is an Architect and if you see someone rather sentimental or defensive about all this affair of axis and orientation, there is strong probability that you are interacting with an Urban Designer. Of course laymen also appreciate the beauty of carefully planned urban fabric and thoughtful positioning of landmark structures and public plazas etc. knowingly or unknowingly, they even travel faraway lands to witness the glory and charm of historic cities and as well as modern metropolitan cities and certainly formulas of urban patterns and axis have great contribution in the making of a wonderful city as proven historically.
Let’s try to understand the quantum shift in the approach of city planning and redevelopment from couple of centuries back till today not to speak of future trend and try to analyze the “still un-deviated” intellectual affection for urban geometry specially axis call it inertia or stubbornness or whatever. All this in the light of mounting pressure of traffic; growing, busy and occupied population, all this in a city which is struggling everyday just to survive functionally that very day while managing the damage and backlog of many yesterdays. In a city which is going on a path very different than what perceived originally because of its changing priorities and unperceived growth, specifically in terms of transit requirements.
When Lutyen Delhi was perceived originally no one would have imagined that this very city is going to grow so much so soon that one day it will need a mass rapid transit system (MRTS) or may be more, like integrated transport system as we call it, no one thought that it will need “flyovers”? subways?? Underground transport!! Are you kidding? Elevated tracks, No way!! PRT?? What is that?? Such would have been the response of architects, Urban Designers and Planners of that time, someone go ask them, if you will, hire a time machine may be? And hence they planned wonderful avenues, boulevards, most importantly urban Axis what started as a core of city. Of course that’s the beauty and heritage of the city one can be proud of, but as city expanded the firmness and geometry of those axis and alignments got diluted, which was due to the race, race of providing accommodation and business to the exponentially growing population but still without recognizing the latent growth potential of the city otherwise they wouldn’t have planned low and medium rise land use in South Delhi and similar spatial positions at the present intermediate ring of city which they can’t really afford to! Now the focus shifted from axis to pockets, loosely arranged urban pockets, based on affordability and all. This diluting axial or otherwise geometry is also due to retrofitting, retrofitting of transit systems and development interventions and traffic management measures, like flyovers, underpass, subways, elevated tract, underground tunnel etc.
We were discussing axis, so let’s stick to the subject for a while. That colonial urban axis emerged from the need to showcase the extravagant luxury and prove their capacity, knowledge, authority and aesthetic or otherwise, while rest of the city fabric which emerged in recent decades was driven by the necessity to handle growth, priorities were different and will be different. The colonial axis was bliss to experience, still it is, while today’s axis in other parts of city is apparently agonizing an experience for many most of the time, waiting in a traffic queue today’s urban axis gives a view of more than mile long array of crawling vehicles bumper to bumper, again and again, everyday. Array of flashy car tail lights in the mirage of heat emerging from vehicles! You can’t associate this axis with a very pleasant experience. What about aesthetic urban experience of thousands of those commuting in tens of mile underground tunnel or organic and maneuvering elevated MRT network? They don’t really come to witness the extraordinary experience which is historically associated with planned urban fabric.
Feelings attached to traditional values and formulas of what an ideal urban fabric should be have remained same while the needs and urban technologies have moved ahead. People tend to approach and appreciate modern cities and metropolis on the historically benchmarked cities and hence this disappointment. These contemporary cities demand a totally new approach of planning for preserving and nurturing its aesthetic beauty. What we seem to have achieved very convincingly historically, since centuries and beyond seems to be a big challenge today. It’s time to shed the nostalgia and comfort of proven urban design formulas and get back to drawing sheet to create new age aesthetics for new age cities in the light of new transit, growth and lifestyle needs and in the light of emerging and unexpected urban technologies and unexplored land use strategies. Though you can’t really design or plan for some urban technology or strategy which has not been invented or explored yet, but we can always keep some margin and scope today itself for future integration and urban retrofit which seem to be inevitable a phenomenon. Only one thing which is definite here is the growth, so let’s plan for growth. At least let’s try to acknowledge inevitability of growth today itself, for a better urban future, its aesthetics and character.
All said and done, fact remains that there is something really magical about the urban axis and it has repeatedly proven its worth and guess that quantum of our future city planning strategies and spatial arrangement will still revolve around it.
“This post is dedicated to friend “Poppy” who really enjoy studying and analyzing urban axis across the world and has the habit to relate everything with the Axis phenomenon and seems he is having really good time deliberating about it with friend “Roomy”, only if he gets time free from study, if at all"
Labels:
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Architecture,
City,
Cluster,
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Education,
Environment,
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Urban and Regional Planning,
Urban Design,
Urban Mobility
Location: Netherlands
Netherlands
Aug 30, 2012
Sometimes you appreciate unintentional grunge architectural experience!
Even architects refrain to talk about the darker intuitive side of architectural experience.
Looking through a dirt clad window glass pan on a rainy day at your half a century old sparingly used ancestral house, mysteriously thrilling fog and street light setting as viewed from the window of a motel room in no man’s land where you stayed last weekend on your way back home from a road trip, flickering interplay of light and shadows projected on the walls and roof of your bedroom by the light of traffic passing by on the adjacent street, bizarre abstract patterns on the under maintained damp bathroom or subway walls, grunge white noise of much awaited rain pouring on the garage tin shed, looking at the engulfing silence of valley from the balcony of a remote hill resort experiencing the shear lack of artificial urban sound of which you are used to or an experience of strange inquisitive damp smell while you are getting down the basement stairs in a dimly lit surrounding, you at times experience unspoken, unperceived, un-designed and unintentional side of architecture further accentuated by the time of year and day, your mood and company or absence of other people at that particular time.
At times you feel so tiered of popular architecture, popular formula of architecture, formula of what should be and what not and all the glorification and stubbornness around what is popular, those are kind of beautiful, but they are every were, architectural orders, theories so much overvalued so abundantly repeated, interiors so much commercialized so much in order, so much restricted, so much formalized, you are left with no choice but to live in an environment which appeal to neighbors, your housing society and society at large, even You don’t know what you really want to experience. Spoon-fed architectural experience of what is good and what is bad being taught to architects as well as future prospective clients in the school. They are taught to create wonderful architecture but no one encourages them to create wonderful personalized architectural experience no matter even if its eccentric on conventional benchmark, experience of space which you can’t really create with the popular architectural tools, styles, mass education, thumb-rules available and being used widespread today. For example if you have already decided that a particular room, should have a particular lux level of lighting, particular illumination level, uniformly distributed across the room with slight variation here and there as prescribed in the architectural bible or bylaws or general practice or as limited by the market availability and client’s choice of fixture, you can’t create an architectural experience which is thrilling, mysterious, inquisitive and even hauntingly sticky at times even for a moment, which are human psychological needs and part of their personality to experience such environment, at least just for sake of fun. No wonder at times you cherish that moment of darkness in the rainy damp evening or moonlit night when suddenly there is power cut for a brief period, because you have just experienced the dimly lit darker side of architecture which was never intended for you to experience in its original form, but only you know that how much it means to you to experience that very silence of spatial darkness, that mysterious view of dusk from the dark corner of your room, that stillness of ambiance and lack of bright LED light, that passionate experience in the beautiful and diluting sphere of space and light created by that single candle lit on the dining table, that momentarily grey sheds of otherwise bright and warm colors of interior walls. We are talking about darker side of architectural experience which induces a momentarily feeling of introspection to the occupant through its very silence, stillness darkness and grunginess, many writers, directors, photographers, architects, and artists will be able to relate to such experience. Grunge architectural experience which in thought provoking and inspires you at times and which is innate human psychological need somewhere buried in the subconscious under the monumental load of popular architectural experience!
By: Anoop Jha
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