Democratizing the process of urban planning - crowdsourcing of ideas!

Please visit my web page "Urban Tenets" at https://urbantenets.nl/

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"Too many cooks spoil the Soup" May not be the right connotation when it comes to urban planning, we require as many minds and diversified experiences as possible to do the justice to a city which is either yet to be planned or being redeveloped. Community participation and early brainstorming is the key to a successful city planning, like secret ingredient of an exceptional recipe! 

In terms of community participation the focus should be scale, hetroginity and intensity of citizen engagement in planning process. In terms of early brainstorming, all concerned citizens - "considering every citizens is a stakeholder and a client" - can be given opportunity to participate in urban planning process, that too very early when the plan is still in nebulous state, not only after draft masterplan is ready. Also, urban planning process should either come out of planning studio amidst community or planning studio should open it's door to welcome community and individual user level ideas.

For example, thinking of people who could not contribute or has limited say in urban planning process till date except some advanced countries, but they do have specific expectations from their city like all the workforce who are involved in navigation (drivers), delivery (courier and food delivery guys) they can contribute in re-strategising ease of navigation and legibility of city; those in healthcare (doctors, first responders) they can help define/ redefine emergency response routes and ease of healthcare access in terms of landuse structuring and PSP facility locations; those in safety and security (police, traffic police) can help in vulnerability and black spot mapping of city and forming corresponding spatial security and surveillance requirements; those in F&B industry (mall owners, retail, restaurant owner, cook, food vendors) can help redefine new age of intensive urban cultivation, shortening farm-to-plate food supply chain, and propose innovative ways of urban organic agriculture for self-reliance and food security; those in science (mathematicians) can help streamline city traffic by running complex mathematical models and deep algorithms; those in creative fields ( artists, designers) can help reboot, reactivate and conserve cultural and artistic heritage of a brownfield city or can lay the foundation of a new vibrant culture for a greenfield city, and so on; all above inputs to be curtated by urban planning professionals.

Additionally, there is need to make use of unfathomable descrete or curated data that already historically exists around specific city and embodiment of empirical data that exists around the world wrt city planning affair in general.

Author: Anoop Jha

#urban #urbanplanning #city #townplanning #syatemthinking #utopia #smartcity #governance #idea #crowdsourcing #architecture #streets #publictransport #bicycle #transportplanning #sustainability #foodsecurity

Every artist attempts to capture that Monalisa Smile once!

Monalisa inkwork portrait details 1999 by anoop jha #monalisa #monalisasmile #Sketchbook #art #artist #classic #sketch #dress #portrait #girl #lady #illustration #drawing #painting #fashiondesign #galleryofmodernart #gallery #galleryofcontemporaryart #classicart #shoutout #artnoveau #style #fashion #vintage #vinci

A photo posted by Urbanoregional (@urbanoregional) on May 29, 2016 at 9:50pm PDT

Monalisa was young when we were kids...Monalisa inkwork portrait 1999 by anoop jha #monalisa #monalisasmile #Sketchbook #art #artist #classic #sketch #dress #portrait #girl #lady #freehand #freehandsketch #illustration #drawing #gallery #classicart #artshoutout #shoutout #artnoveau #memory #style #fashion #vinci

A photo posted by Urbanoregional (@urbanoregional) on May 29, 2016 at 8:57pm PDT

Art on Autopilot - Since you dont have time!

Long back read that some sculptor spent his whole life making several sculptures for a large garden, sounds cool but what a waste of life, seriously! In case you paint a Monalisa or something than you might think its worthwhile, since you made a masterpiece for generations to come, but all of us ain't Vinchi. 

With whatever capabilities we possess we can have two possible choices to make, one is to make a masterpiece to be remembered or to create abundance of art for yourself and for humanity. Abundance can give you instant opportunity to channelise your creative energy rather than waiting to make that one masterpiece for which you are waiting since last 10 years. And we are not talking about just fine arts, it can be anything, any form of creative affair which you love to be engaged in, you see even pattern of numbers is art for statistician, that's art for her!

So how will you create abundance when art is not your bread n butter and you are ever occupied with inexhaustible to-do list for your lifetime. Solution is to put your art on an autopilot mode. Making art anywhere everywhere, art which consumes least amount of time but is still an art to your satisfaction.

To keep your thinking wheel rotating an example can be like; take a complex peice of sculpture or object or take simply a junk, spill a bucket or mug of  water in front of it, see the amazing reflection in water, now click or capture or paint or draw that reflection or the whole environment or simply observe and feel blessed to see your creation, additionally spill some paint in the  water or add a mirror in the backdrop if you want or just do anything you like and your are ready with your art piece.

Idea is that it might take substantial time to create that very sculpture or art piece for example, whose reflection you are trying to capture but the moment you added thin film of water or a mirror for example the whole dynamics changed, now the whole setting is complex enough to qualify for an art, your personal art. See Master Artists used to paint pomegranate and guava to create classic masterpiece called “Still Life”, you simply cut them in half and one-click-capture the intricate pattern or just cut-n-shape them in cube and you are ready with your modern piece of art.

The best thing is that it’s you who have created this art, and you own this art; at least it gives you satisfaction to see your creativity manifested, in a blink of eye almost. This shortcut of art is just an example, because you were really running short of time to be devoted to art but you really wanted to create some, now you can think of infinite possibilities to dump the excuse that you could have created something only if you had time. This is how you beat the art!  

“Smell Architecture”!! We have to accept non-tangible design elements as part of architecture and Urban Design!!

Walking down the buzzing food streets of the world is a thrilling experience for most of us, it’s a play field of light and shadow, sound and noise, colors, textures and smell. Smell of street, smell of variety of foods being baked, grilled, processed, and served with love from generations, aroma of spices in the air, that raw fragrances of freshly chopped vegetables, occasional breeze with hint of what is being cooked inside, looking at the faces of crowd apparently engulfed and hypnotized by the tempting aroma of food, all this combined together with the built architecture of street gives an experience which is complete and memorable.



Now take a few steps back and rewind the tour without “Smell” part of the whole experience, and you will realize how important these intangible elements like smell, sound etc. play in making architecture and urban design a complete experience.  Though Light is also an intangible element but it has been given an undue advantage in architecture since centuries, contrary  to its counterparts like smell,sound etc. Unfortunately they don’t teach this in architecture and planning school as well, probably they themselves have unable to understand the significance of such non-tangible elements of architecture. Unfortunately there focus has remained on mass-producing architects, designers and technical hands through proven formulas and they have confined themselves in the predefined boundaries of architecture like, form,  function, space, texture, colors, at most interplay of light and shadow. What about smell, noise, feelings and state of mind of users, experiencing and validating the existence of the architecture and urban design in the first place?

It’s not a hypothetical assumption but a fact that you can’t create a good architecture without a great user experience which involves variety of non-tangible elements, those elements which can’t be quantified in form of project specification items into a spreadsheet.  It’s high time that architects and urban designers should shift focus towards the ambient environment and users experience since they have already mastered the art of form and space through accumulative knowledge of centuries. It’s time to move on.

By - Anoop Jha

Where have we reached in evolution of Interior Design?

Analogy of Sculpture and Interior Design

Evolutionary comparison of sculpture and interior design can throw some light on the state of interior design in which it is at present and may pave the future direction for it. If you analyze the evolution of Sculpture, it has evolved from a “symbolic gesture of kingdom and state authority” historically to the “liberalized expression of rebellious creative individuals” in past century to an “interactive public art” at present. When it comes to interior design it has evolved from “utilitarian design driven by necessity” to “lifestyle symbol with expression of wealth” to “uniqueness with technological integration”. The crucial missing point in the evolution of interior design is that it has still to reach a point where a user can interact and relate to it rather than simply appreciating its beauty and ambiance while waiting on a comfortable couch in a lobby or from a workstation of an office.

While the focus of sculpture, individually or as part of landscape architecture or in public domain has shifted from a decorative element to an interactive and engaging public element, the efforts of interior design has remained focused mostly in the aesthetic domain with attention to space efficiency, economic execution and operation even at present. Since all the efforts are concentrated on the aesthetics, ambiance and efficiency part of interior design, majority of architects and designers are caught in to the vicious cycle of making it more and more efficient. It’s high time that architects and designers should break this cycle and create an indoor environment which is not only appreciated by the users but where division of user and space gets blurred, a space where occupant is constantly interacting with its ambient indoor environment in tangible manner, where user have been kept engaged not only by its aesthetics but in terms of physical and mental activities, an informative, interactive indoor ambiance like the case of modern public sculptures.

By Anoop Jha

How we assess and respond to architecture

Need of assessment without prejudice and unconditioned response.

Architecture and design is awfully judgmental and philosophical stream, its aesthetic and functional perception varies from person to person and it holds different meanings for users of different socio-economic and educational background.  For the evolution of architecture it is necessary to assess it from a radically different perspective, questioning every established values and prevalent formulas and benchmarks of good architecture.

Just getting overwhelmed by the magnificent interior of a high-end hotel lobby or much hyped restaurant interior or luxuriously decorated living room of an ultra-rich individual is not a real justice to the architecture and interior design in term of its design assessment and criticism. When someone come across to such wonderful places associated with big names, their immediate response of pleasant surprise in the moment they enter the building makes their design assessment biased with a touch of prejudice. Their analytical mind which is responsible for aesthetic and functional judgment, immediately surrenders to the mesmerizing ambiance of interior. Getting mesmerized by something amazing is a natural response of the human mind, but little more is expected from the architects  and designers in terms of their response to immediate environment, surrounding ambiance, assessment in terms of functionality and desired balance between aesthetics and  functionality. In that state of amazement they tend to forget the actual purpose of design, and start judging it on its face value.

Lavishness and expensiveness of architectural treatment can be enough to move an average audience or user hence one should be cautious not to get deviated or mesmerized by the shear ambiance of the environment while assessing the functionality and aesthetics of the said design. One has all the right to question the validity and contextuality of design elements and functionality of design even if it is created by established and much celebrated architects and designers. Often people seem to have been caught in the articulated concepts and animated design language while assessing and experiencing architectural spaces and design elements. Their experiences are colored by the aura of authority of established and much hyped architects and designers. Experiences are more or less fabricated and predefined in most of the cases.

One feels that there should be freedom of assessment. There is a need, not only to challenge and break free of established design values but to perceive the design from a clear vision which is beyond the past experiences, which is neither opaque by any prejudice nor conditioned by any socio-economic or regional background of the observer. An assessment based on complete firsthand experience might be a better and sensible way to judge the design.

By Anoop Jha

Interior Design - A reflection of self rather than a design platter

By - Anoop Jha

Indian homes tell rich stories of evolution and experience.

What is interior design for an average home in India? What is perceived notion of high end interior design by an average city dweller? Is it an extravagant expression of “new rich” in town or an effort of “not so rich class” to live classy rich life? Whatever it is they usually feel proud showcasing their home interior and décor, no matter whether they are rich or not so rich, no matter whether it’s extravagant or modest.



[Handpicked Books]

     

When it comes to average middle class home interior you will find few similarities, an overwhelmingly stuffed home, because they need and inherit too many things to make their life vibrant and cope with so many rituals, social events, festivals, changing seasons etc.  and they don’t generally discard old household items in India since they have emotional value attached to it like furniture inherited from grandparents, no matter whether they have already bought a pair of PVC chair and an steel wardrobe last festive season on a mega discount offer they will keep the old furniture and items as well. Minimalistic interior is either not their choice or maybe they can’t afford it. You will find multipurpose household items, like the steel or wooden trunk which is used to store many non-seasonal household stuffs along with hardly used inherited and memorial items and which can also be used as TV stand or temporary bed in case of long social visits like couch surfing. You will find same contemporary interior lighting unit or decorative fixture in majority of houses which they all buy from the same neighborhood market. Almost similar finishes, similar wall colors and textures, similar window grill design, similar exposed interior lighting, may be little different furnishing based on little varied choices of occupant. You will sense a fusion of different culture with miniature painting of Rajasthan hanging on the wall to Feng shui wind chime hanging on door. But they seem quite content in their home, that’s what matters! No matter how limited is the space inside home; they have huge space in their heart to welcome you.

                 

What is interior design for rich or even ultra rich in India? They can afford an architect or interior designer. You will find their home lavishly decorated and minimalistic at time, with all those wonderful finishes and concealed lighting, but you know what, story doesn’t end here. When the job or interior design is over now starts the real interior design and decoration process of Indian home. Don’t forget the real architects and Interior designers of Indian households are the lady of the house, who chooses the next big change in the interior layout and furnishing, she decides, where to adjusts, accommodate and place those ever growing inflow of household stuffs and home décor items of which they are very fond of. If the same architect or interior designer who did the interior of home returns after five years to that home he or she will be totally surprised to see how rich and diversified the interior has become in this short span of time, with all those variety of decorative items which have been either received in gift or collected over visit to different parts of country or world. None of which are matching either to each other or to originally perceived interior design. Some of the home décor items are from Japan, some from Singapore or Thailand may be Egypt or south Africa or might have been bought from neighborhood Sunday market, some inherited from generation some preserved from childhood, some ethnic or some space age, though they look wonderful together and presents an ever-changing interior landscape telling story of its evolution and rich experience, its reflection of occupants of the Indian homes.  They don’t just get their interior designed in a go, they create it with their own hand in course of time.     

Data mining of local print Media for contextual urban planning

By - Anoop Jha

Analyzing vast database of local and regional newspapers

Media is called the mirror of society and it tells the stories of any region and its people as seen and gathered with continuous efforts.  Imagine the amount of data and information media might have gathered collectively in course of decades of exploration, about any particular region, its people, community and their behavior, their needs and aspirations, their strengths and their opportunities, their social and economic dynamics and potentials. 


[Handpicked Books] 




This huge amount of data can be of tremendous importance for planners and policy makers, if filtered and analysed properly. Let’s take print media for the purpose of data mining since it would be easier to dig from the decades of archive, of national, regional and local newspapers.

Collage of print media

What’s the standard way of research for different planning projects? Planners are generally dependent on secondary data in elementary stage and primary data at later stage to arrive at a conclusion in term of what could be the best suitable plan for a city or region. 


When it comes to secondary data collection, most of the time it’s either published reports or online database which is user uploaded content on which they rely. This relevant information may be authentic, may be half baked, may be partially relevant, may be totally wrong or may not be available even.

Local & regional newspapers

What about local print media? Have we forgot to explore the rich and authentic information which the local newspares have generated across a large time span. Though its little tiresome to filter all those relevant information about the particular region or issue from the thousands of chronological issues of dozens of national and regional newspapers and magazines. But no information can be as authentic, precise and relevant as the collective database of this vast landscape of print media not even primary data. Need is to encourage and formalize a methodology to utilize this untapped knowledge of print media for the planning process.