Urban development is contagious, keep an eye and let it spread!

One gear triggers other and whole machine gets activated.

Process of urban development is spontaneous, sometimes sluggish sometimes fast but always forward looking, if left on its own it will automatically morph and mutate and expand, to cater, to accommodate, by utilizing whatever little or more they have, by seeking and digging what and when they require. And we are not talking about another Squatter!

Left on its own city might sustain and prosper or it might entangle and be a mess, but it will grow for sure, that’s how we have made our journey from jungle to habitat spanning centuries. We need planning upfront today different from mud house age since our needs have changed and so the externalities, otherwise natural mutation of habitat or city should technically be sustainable a phenomenon.

Development has inertia of growth inbuilt we just don’t know in which direction, though we really don’t have to push is so hard we have to just push it to keep it rolling and have to give it a logical direction.

Upfront capital being a key constraint in urban development sector, an example of mutating self-sustaining habitat can be an additive model of shelter where you give only that much of infrastructure which is basic but with provision of ample spatial flexibility and assistance at disposal, and letting them build further on their own, based on their capacities, choices and needs. Creating some rules to play with and giving them an assistive hand when and where they require.

A favorable environment, assistive and vigil governance and a scientific approach are what we need to see this natural development phenomenon unfold and sustain.

A lesson from a drifting feather!

So, while he was walking slowly, lost in casual thoughts suddenly a floating white feather caught his attention, it was tiny but was in its full glory and was slowly drifting in light breeze towards a nearby fountain in a gravity defying act. Anyway it gracefully landed on the clear sheet of overflowing water and suddely its motion was seized but only for a moment, it was like feather finally found its ground only to realise it was a slipping, drifting ground again. It appeared that this otherwise serious flowing water sheet was happy to receive that feather friend. Though in a fraction of second that feather was mobile again with the flow of water, only to reach its next destination. Possibly "keep drifting effortlessly" was mantra by which feather was living, it was full of life in its lifelessness, and possibly it touched the conscience somewere leaving a life lesson - a lesson of effortlessness even in its full dignity, even in its constant motion!

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Why architectural clients should be more demanding today?

Need of "Creative demand" and false in-vogue benchmark of "what is good!"

In a time of century when you should be asking for interactive customizable digital walls for your indoors as a client you are still busy choosing wall colors and wallpaper patterns, in a time when you should be demanding multiple mood lighting possibilities for your every room you are apparently happy and content with your stylish off-the-shelf chandelier and much propagated energy saving CFL lighting fixtures, when you should be asking your architect what kind of living experience he or she is envisaging and designing for your home, you are busy asking what would be the effective sqft area of your house, when you should be deliberating about multi-tier security system for your hard earned asset called home,  you are busy choosing stylish looks of your door knob, when you should be looking for indoor ambiance inspired by your sun-sign, you leave this design choice to the idiosyncrasy of architect after little deliberation, who will now design "your" house inspired by his or her "own" sun sign traits - if you believe in such thing called sun sign! And there are ample other examples which demonstrate you are more or less content will "Less" when it comes to Architecture for your home.

You do demand as an architectural client but mostly in a wrong direction. And you know, you only get what you ask for.  You really need to channelize your demands towards design, ambiance, technology integration, customization and personalization and to the little architectural elements which is going to make your life better and effortless at home. All you need to do is to be little more creative in your demand. Also you need to shed this notion that “popular is good”, that’s not the case when it comes to architecture because you as an individual or a group of family might have a totally different needs and aesthetic perception than your friends, or neighbor or that guy with million dollar Mansion, so your house need not necessarily be exactly like others no matter how tempting those options are.     

You see, if you are of this opinion that insisting your architect for your favorite pink or blue color for your living room wall makes you a good client, then you need to take a look way back to realise that those cave men were more creative for their homes, decorating their caves with such amazing cave paintings or drawings, even after thousands of years later you are still struggling to decorate your living room wall with pink or blue or some painting of great artist! Have you really evolved in this large span of time or are you repeating the same old story in some way or other. That full clad digital living room wall which you can color customize everyday or on which you can write your daily to-do-list or which can remind you of unpaid bills in a flash or where you can leave a message for your loved ones while leaving home is just an example to make your realise that there are no boundaries which defines and restricts architecture or interior design. 

The best part is that architects like challenges, so if you demand "more" as a client in terms of stretching the possibilities of design and innovation, they would be more than happy to help you and probably will give you something many shades better than your expectations, all you have to do is to be little more creative in your demand. 

15 things I learned in 10 minutes about photography - Flipping through a reputed travel guide book

Amazing revelations about Photography-

1)   It’s not just about Iconic structures or monuments it’s about capturing their interaction with the people

2)   If you are capturing a lively street, capturing an element of motion is a must (people, car etc.)

3)   When capturing sculptures or carved details in the open sun, wait for the right time of the day for the perfect shadow which accentuates the dimension and details of subject

4)   Capture the clouds in the background (particularly at dusk ) and half the job is done

5)   Capture  water fountain in the foreground and half the job is done

6)   Capture someone capturing others (seems a cheap trick though)

7)   If you capture street dining you must capture some element of service - something being served or by someone who is serving the thing

8)   If capturing museum or exhibition you must capture the chemistry between the exhibit and spectator, capture someone quite still and who is trying to understand and appreciate the meaning of exhibit

9)  Capturing the public spaces, capture the people and their behavior at the very intersection  of daylight and shadows (it naturally captures the human dilemma of judgment whether to go out in open sun on stay in the shadow) 

10)       When capturing motion you must have something static for reference, but for best results “that static one” has to be the one of the vary things which are moving (people, car etc.)

11)        Capture a glass building at dusk at the very moment when it gets illuminated in the evening while it is partially illuminated from outside as well from setting sun

12)       There is at least one definite location from where the famous sculpture or display (or structure) looks perfect (and usually it’s the most abused one as well, since whole world seems to capture the shot from the same point)

13)       When taking a shot of any high end restaurant  dining scene, don’t just capture the food and luxury, and candlelight, you need to capture the people having supper, with their interactions and their exaggerated animated  expressions

14)        When in vegetable market capturing a vendor interacting with customer, a price list smudged with chalk or otherwise in the backdrop is must.

15)       Shop display window + scripted shop name typo + passer by = classic shot without fail

Another series of interesting observations will be part of upcoming posts, Join me on twitter @urbanoregional for updates.  Your view and experiences are most welcome.

You might also like following post :

Top 50 books of Urban Photography,Art and Aesthetics

A to Z Satellitexted : Urban Planning Text

If "Law of Physics" is working in your piece of Art or Architecture...

..then you know you are going in the right direction!

From Wonderful Classical Art to Good Design to Amazing Architecture, one thing is common that is "Law of Physics" which is and should be ever-present there to make it a success. If Gravity is acting on you, it can and should act on your Piece of Art or Architecture as well. Though Gravity is just a simple example here to explain the impact of Physics on Art or Architecture.

A page from the old Notebook

Art without true reflection of natural physical laws is like making a portrait of someone sitting in front of you and assuming that there is no force of gravity acting on your subject of art or may be your subject is floating in the air or something. Remember the good old classical art works from master artists, with beautiful bulky art subjects of individual or group portraits?

There is another way to look at it as well, that is; you can also make a successful art or architecture by beating the gravity or natural laws itself, like an architectural work having an appearance of floating in the air. No matter what, a good design revolves around the law of physics whether going with it or challenging the Natural Laws, Laws of Physics!

Thriving market of cheap design aesthetics.

Have you ever wondered why you still find those similar crude designs around even after decades?

Design demands Freedom 

 Image by  karen horton 

So, will they keep producing those sub-standard design and inexpensive aesthetics just because they have found a comfortable niche market for that? a compromising non demanding market segment which is either unaware of their right to aesthetics, right to own good design or they have accepted this false imposed notion of design dictatorship that a good design and aesthetics is only for well-off segment. The restrictive and monopolistic approach towards design only leaves majority of people frustrated witnessing bad designs and cheap aesthetics scattered all around which is usually propagated due to lack of serious talent and affordable skills in design industry or sometimes carefully established to make you feel inexpensive!  

Strengthening Design  

  Image by  Nerds For Nature 

Next time you are travelling in a public transport or while casually strolling through the busy market street, take a serious look around, you might be overwhelmed by the shear abundance of product designs borrowed from your childhood memories, for example look at couple of shoes of those people standing next to you in a subway, chances are, out of ten pairs of shoes you will find one out of this world customized designer pair "a must have it in your wardrobe style", you will see two highly expensive ergonomically designed branded pair, another two pairs from the trending fashion, and another five pairs of shoes with design and aesthetics borrowed from the memories of your distant past, designs borrowed from different time spans of previous couple of decades. It cant just be a coincidence that 40-60% of designed products are still trapped in the evolutionary stage of design, while we already have the best of benchmarks available and established. and it is applicable to almost every type and scale of product available in the market, shoes are just a crude example!

It's the urgent need and responsibility of a designer and a progressive society at large to unlock and libralise the design and aesthetics in a production environment or otherwise, and educate masses towards the same, letting this dissipated knowledge and awareness permeate through the consciousness of otherwise design ignorant and aesthetically suppressed consumers and society, a wind of change which will help make a better ambiance and surrounding whichever part of the world or whichever corner of the city you are in at the moment.

you might like this post on Design Democracy as well called "Deprived of design aesthetics?" 

Solar : ReNu(Able) Energy

Lets Go Solar!

Post-calamity socio-physical reconstruction: Untapped potential of urban planning!

It’s high time they should care for heritage values of shattered settlements.

Contemporary planning response : A wake-up call!! 

Any Natural calamity, An Earthquake, A Tsunami, A Flood or A Hurricane strangles the life of community and leaves a physical and emotional mark behind! Damage which is irreversible, but still people gather their spirit and strength and try to reconstruct that which has been shattered, their home, their neighborhood, their community, their village, their city, sometimes on their own sometimes hand in hand with community, with the support of government and with the aid and good wishes from around the world. It’s a collective effort of those who care to rebuild, those who feel responsibility to reconstruct, everyone contributes their bit!

A relevant question to ask here is that what an urban planner, an architect, an urban designer, a conservationist or a policy maker can do to restore the faith, hope and dignity of that community, How they can better contribute in the socio-physical reconstruction after an unforeseen natural calamity which physically shatters the settlement, a settlement which might have evolved in course of centuries whether it’s a village or a small town or a metropolitan city. Of course such situations demand a quick immediate response, a fast solution, a resettlement plan, a re-construction effort, a physical master plan to absorb and protect the affected population as quickly as possible; an infrastructure fast and techno-economically optimized enough to be viable. But in this race of providing the immediate comfort and amenities to the affected population we usually tend to forget or sometimes purposefully ignore the very basic need of community, the settlement itself, the fabric of settlement with which community has intimately remained attached throughout its life, probably they have grown together help shaping each other and hence the highly emotional bonding of community and settlement cannot be ignored neither its legacy of heritage value and learning.

In a neighborhood or community affected or devastated by natural calamity, an individual is not just bothered about his or her own loss, their own damaged house, but they are subconsciously also moved by the loss of others in the community and their very own settlement and neighborhood which has been shattered heavily. Their memories of growing in that neighborhood, those winding streets, their facades and architecture, their community spaces, those lingering familiarities and so on. We can try to reconstruct the original face of settlement if the damage is low and concealable, but sometimes they feel it’s better to reconstruct the settlement in adjacent open lands if the physical damage is much, this phenomenon is more noticeable and even more a point of concern in the rural or small urban communities. Usually physical planning response form the government and planners after a natural calamity in most of the cases is generally a super-optimized techno-economic solution, an efficient physical infrastructure, fast paced architecture, but surprisingly lacking in emotional response and nativeness in terms of architecture, lacking in regional impression and heritage values of planning, alienated from urban/ rural design principles and practices of the region, a shear absence of conservationist inputs and above all lack of human touch. Outcome seems an efficient but emotionless physical planning response which can and are being radially justified in the name of constrained resources and urgency of demanded action. Image above speaks for itself!

Though a much needed temporary relief, imagine the emotional and functional pain this new mechanical re-settlement master plan causes to the inhabitants in longer course of time through its totally alienated new physical planning environment, fabric and architecture, by continually reminding them of the disaster which occurred in past, due to its ever-present imposed unfamiliar environment. Imaging the continual struggle to adapt to this new imposed “efficient but rigid” neighborhood plan which has no relation whatsoever to the original form and architecture of the village or town which was devastated in earthquake or else and the loaded feeling of never to return to a spatial experience in their lifetime which even vaguely resembles to their original neighborhood or to a locality with its regional character! Imaging the loss to the future generation who is going to grow up in these reconstructed integrated prefab concrete township or villages with identical kind of off the shelf household unit next to the fading ruins of their devastated ancestral village and who will never know how it is like to live in the vibrant settlements were their parents, their grandparents and their ancestors used to live!

It’s high time that the legacy of heritage planning values, unique and integral to specific regions need to be acknowledged and incorporated in the post disaster reconstruction efforts specially in physical planning of the settlement which will have a long term beneficial effect. Even the communities in crying need of immediate physical reconstruction support, in a post-natural-disaster environment, need a physical planning solution with a “human touch”! 

So that you never run out of development ideas again!

Wonderful list of vision script for urban development,

Have created a list of possible vision statements in snippet form for your quick reference, just to keep your creative thinking wheel running. 

Reshaping city, Re-harmonizing urban clusters, Recasting city silhouette, Re-energizing spirit of city, Re-establishing magnificence of old city, Revisiting the glorious past, Re-engaging population, Re-engineering city infrastructure,  Reconnect to past, Rethinking city, Repositioning city, Recreating       history, Reinventing urban mobility, Reorganizing urban growth, Rebuilding city aspirations, Reintroducing urban techniques, Redeveloping business hubs of city, Rerouting transit veins of city, Re-knitting city fabric,  Reuniting city fragments for better functioning, Urban rezoning for optimization, Reintegrating smart urban technology, Redesigning mobility grid, Re-envisioning historic city, Re-proposing mobility, Reimagining urban future, Redefining boundaries of urban innovation, Repurpose  city finance, Reorienting city growth direction,  Rebuilding city governance structure, Re-linking destinations, Rearranging development priorities, Realigning development objectives, Reprioritizing urban development avenues, Restructuring functional hierarchy of city, Re-exciting life in urban public spaces

It's been done this way since ages doesn’t make it the right way today!!

Rethinking academic research methodology.

So, you are up to research, thesis, dissertation or something, great!! Let’s consider few  things before we move ahead, considering few establish academic research norms, said or unsaid, which you might like to question, which you might like to challenge, but you won't, may be you can’t, because someone else is running the show.

Let’s understand the anatomy and objective of research and what should be the scope of any academic research for purposes, like thesis, PhD and so on and let’s see if there is any loophole in the well established century old research methodology and why it’s high time that research methodology has to reinvent itself.

What usually happens is that you choose a topic of your expertise and interest, narrow or wide and a mentor or guide as well either to guide you throughout or just because its mandatory to have one as per university norms, whether its architecture, planning or sociology or something else, it’s all the same. Then you start collecting supporting evidence and snippets of information first to validate the selection of research subject and then to back your conclusion. 

If you delve deeper you will realise that any chosen research subject or topic no matter how wide or narrow it is, has a very wide possible scope for exploration which we unjustifiably narrow down due to many reasons. You can have all the freedom to narrow down the subject or research topic itself which you choose but how can you narrow down and limit the research domain yourself and how can you decide in the beginning of research that which external influences to choose which might affects the subject, just because scope of research seems unfathomable to you for that particular subject or topic, just because someone told you to do so, just because your curriculum allows you the freedom to do so. If you are limiting your research to the review of few books on the subject,  selected by your guide who can have his or her own biased inclination towards those particular books or those authors,  if you limit your research only to some good books which are remaining  in your library after best books of the lot which has already been lifted by the academicians and professors long ago,  if you limit yourself to handful of primary sample survey which has its own grave issues and which is bound to give inaccurate picture, and if you limit yourself for any other similar innumerable reasons, you  are doing a big injustice to the research subject.

The issue with age old academic research methodology in context of today is that there always has been a strong stress on authenticity and completeness of content, fixed research structure, rigidity of data structuring, stress on literature and book reviews and first hand data gathering, there always has been submission to the authority of few established individuals in the field and imposition of idiosyncrasy and idealism of mentor or guide, ignoring the massive and continuous stream of relevant information which is available today and which is already growing and going to grow exponentially in the future. In the inertia of age old established research methodologies we are knowingly or unknowingly ignoring the possibilities that today’s technology provides us in conducting our research. Ignoring the technology of data mining and data exploration which they are already using ruthlessly in business and corporate domain is almost absolutely missing in academic research.

Two fundamental truth which majority of academicians today would be highly hesitant to be confronted with, is first that "Billions of half-baked data is much more reliable and contextual than handful of authentic publications when it comes to research and establishing a fact, excluding field of science and mathematics" and second that "Skewed focus towards book reviews and published literature for research purposes tend to glamorizes second hand work and dampen free and creative thinking spirit". There is nothing new and creative in quoting some author on some instance or subject, nothing new in putting someone else's inferences and analogies in your own words in your academic research report. When there is too much focus on structure and format (Thesis, synthesis, analogy, reference, bibliography and all) content starts losing its significance. This prominent conventional research methodology only leads to half baked conclusion at the end of your research span, because of just few numbers of cases studied and fewer perspectives of authors analysed.

Main constraint here is time and it’s up to you how you manage to get optimum exposure in that short span of time to arrive at valid inferences. More intense the exposure more authentic would be the conclusion or outcome. You are given a limited time to conduct and conclude your academic research whether thesis, dissertation or PhD.  You cannot stretch it infinitely. now you zoom in and pick up few published literature on the subject for your research reading pages, first to last, how many of these  books with "authentic" information you would be able to read in that assigned research span of few months or years, five, ten, twenty or fifty? That’s it? Come end of the research span and you are aware of point of view of five or fifty different authors, thinking you have known enough, thinking it’s time to conclude. No matter how very authentic information you have at the end to conclude your research, these are just point of views of handful of published authors out of millions equally talented or more or less out there in the world working, thinking, deliberating on the same subject, who never got the time, inclination, money or right publisher to get their work and thoughts published but who are constantly writing on forums, blogs, constantly tweeting and sharing and so on, may be you also missed out the brilliant thoughts on the subject because it didn’t reach your library shelf, because your guide didn’t recommended it to you, may be you didn’t have enough money to buy that book or eBook or may be because it couldn’t get the attention of the masses due to competition with shear number of literature on the same subject.

It’s high time that students and researchers need to be encouraged to look for unconventional, previously unexplored and untapped streams of data for mainstream academic research by their colleges, universities and most importantly from their mentors and guides in their dissertation and PhD,  sources like massive free and dynamic data from online environment of blogs, discussion forums,  audio-visual data from established or amateur masses, tiny bits of information which individually doesn’t make any sense but which collectively presents fairly recognisable, logical and surprising patterns, and it’s high time that such research methodologies should get mainstream recognition. It’s time that they should shift their fixated attention from literature reviews to data source explorations and analysis, broadening the domain of literature itself.

You see, it would be much more exciting, authentic and wholesome an experience to explore from the dynamic, widespread and crude "sea of knowledge" rather than exploring from few well-maintained but stagnate "resource lakes".

BY- Anoop Jha