Let me show you the true artist in you!

No art is as inclusive as fine arts or call it whatever. 

It seems every single person is born with artistic talent specifically more pronounce and visible in the field of fine arts, abstract art or call it whatever, an artist even in you, whether you consider yourself an artist or not that is irrelevant,  proof is your childhood notebook filled with weird characters drawn by you and spoiled pages of your dad's diary and all the tattoo that you made on your hand, graffiti on your school desk and crayon spoiled walls of your house where you spent your childhood days and that creative surge when you were staring at the damp basement or loo walls trying to infer some meaning out of those grunge damp patterns, or even today if you occasionally tend to draw a smiley face on moist, dew clad surface and so on. Every adult was an artist in his or her childhood so they are today, so are you. 

Every child with his or her genuine creativity, making and living their own dreams in their sketchbook or on wall, vivid and real in their own imagination, a spell-bounding piece of rawness with bit of influence from surrounding, and we are not talking about all the art and craft assignments forced by educational curriculum and competition, those are plastic, manipulated, and imposed, threatening and robbing the very creative rawness of child. We are not talking about biased aesthetic judgement here. We are talking here for example the child's own interpretation of how round a sun should be or how round his dexterity allows him to draw it, not the Vinchi style geometric perfectness of circle which we tend to impose on them. Since art being essentially a true expression of self does not necessarily demands shape of circle to be a perfect circle so it really doesn't matter how well you used to draw a circle to qualify as an artist in your childhood, and since art is beyond the clutch of time so if you draw the similar weird circle today when you are grown up it is still an art and so you are an artist. Another reason is that if making a perfect circle is a qualification criteria for an artist than our computer or tab can do that job better than our master artist. 

So acknowledging the truth of your own childhood talent now you can appreciate the works of kids around better. Not judging them on their perfectness but admiring them for their innocence. You see these kids will grow up one day and change the very definition of understanding of what an art should be. After all its art if you can prove it. 

You might also like to read this post on "design diplomacy"

Key strengths and potential sectors of Indian states

ANDHRA PRADESH

ITES destination

Industrial estates

Abundant energy

World-class academic institutions

Storehouse of minerals

ASSAM

Comprehensive central investment policy for NER

Liberalised state industrial policies,

Skilled and cheap manpower

Pleasant climate and scenic landscape

Locational advantage for foreign trade

CHHATTISGARH

Power surplus

Availability of low grade coal-power plants

Ample amount of land

HARYANA

High per capita income

Proximity to trade and consumption centers in country- NCR

Automobiles and automotive components

IT/ITES facilities /software,

Textiles and readymade garments

Property development and retailing

Agro export

HIMACHAL PRADESH

High incentives index

Consumer market index

Most urbanised state

Low power tariff and cost of power generation

Policy proactiveness

Availability of natural resources for agro-based industries

High literacy rates and good quality workforce

High quality limestone

JAMMU & KASHMIR

Concessional land rates for industries on lease

Large tourism potential

Horticulture industry

Skills of weaving and designing of textile products,

Traditional skills of fine craftsmanship can be used in the field of electronic and precision engineering.

KARNATAKA

Proactive government

Sector-friendly policies

Large pool of skilled manpower

Best infrastructure

Larger focus on industrial growth

KERALA

High literacy rate

Largest producer of coconut, pepper, coir, cocoa, rubber and areca nut

MADHYA PRADESH

Law and order

High growth in infrastructure development..

High growth in agriculture

Good governance.

Centrally located, / accessible

Low cost of skilled labor

Low cost of land

Cement, textiles and edible oils.

Track record of attracting private investment in transport infrastructure

Initiated greenfield special economic zone.

Automobile and pharmaceutical industries

Improving social development indices

RAJASTHAN

Cement

Mineral production

Producers of cotton and wool

Tourist destination

Progressive states in electricity sector reforms

Oil and gas reserves

Emerging destination for it and ITES industries

UTTARAKHAND

Hydro-potential

Promoting industrial estates, industrial parks and growth centre

Vast pool of a natural resource

Tourism development

Quality human resource base at competitive rates

Number of fiscal benefits like concessional industrial package

By Anoop Jha

Source: pppindia.com

Municipal Finance in India : Municipal Tax Revenue sources

Municipal Revenue generation through Taxation in India

“Local Self Government becomes meaningless in the absence of financial autonomy. It enjoys the power of imposition of local taxes. The municipal bodies must have a wider scope of collection of revenues”

(Source: UIDSSMT)


ULBs have invented many channels and instruments of revenue generation in course of time due to urgency of handling growth, some of the tax sources both conventional and non-conventional, are mentioned below.

TAXES/FEES

CONVENTIONAL MUNICIPAL REVENUE SOURCES

Composite Property Tax

Water Charges

Sewerage Charges

Conservancy Charges

Building Permit Fee

Development Charges

Trade Licensing Fee

Advertisement Tax

Shop Room Rent

OTHER GENERAL MUNICIPAL REVENUE SOURCES

House Tax 

Show Tax  

Building Plan Fee

Tax on the consumption of Electricity    

Sale of liquor     

Cess on the transfer of immovable property   

License for Dangerous and Offensive trades

Rates are varied in respective ULBs

Rehari License Fee

Tehbazari Tax

Slaughter House Fee

Cattle Pound Fees

Birth & Death Certificate Fee

Copying Fee

Tree Cutting Fee

Library Membership

Ground Tax

Vehicle License Fee

Death & Birth Reg./ Late Fee

Forest /Garden Income

Dog License Fee 

Animal Tax (Cattle Pound)

Trade License Fee

Tax on advertisement other than advertisement published in the newspaper.

NON-CONVENTIONAL MUNICIPAL REVENUE SOURCES

Vacant Land Tax

Service Taxes

Surcharge on Land Registration Duty

Water Supply Donations

Water Supply Connection Charges

Water Benefit Tax

Water Betterment Charges

Sewerage Donations

Sewerage Connection Charges

Sewerage Benefit Tax

Sewerage Betterment Charges

Bulk Garbage Collection Charges

Betterment Charges

External Betterment Charges

Open Space Contribution

Impact fee

Transferable Development Right

Premium FSI

Sub-division charges

Planning Permission Betterment

Road Cutting Charges

Street Tax

Frontage Tax

Cess on Infrastructure

Motor Vehicle Tax/Surcharge

Tax on Petrol and Diesel

Business License Fee

Hoarding Charges,

Advertisement Placement Fees,

Cable TV Fee,

TV Advertisement Charges

Royalty on Auctions

INNOVATIVE /UNIQUE MUNICIPAL REVENUE SOURCES

General Obligation Bond/ Municipal Bond

Awarding of development rights,

Town planning schemes (TPS)

Plot/layout readjustment

Additional FSI/FAR

Goodwill auctions

Bank linkages (for Urban Poor)

Capital-based property tax system

Land banking

Transferable development rights (TDR)

Special Education tax

Pilgrim

Octroi

Special and General Sanitation

Shows

Toll on Vehicles,

Timber

Terminal

Menial Domestic Servants

Artisans

Entertainment Tax

SOME OF THE UNIQUE REVENUE STREAMS (THROUGH FEES/ CHARGES) OF MUNICIPALITIES ACROSS MAJOR STATES IN INDIA

Registration Fee

Mutation Fee

Market Fee 

Trade License Fee

Compounding Fee

Slaughter House Fee

License Fee

Betterment / Development Fee

Fire Brigade

Public Health

Swimming Bath Fee,

Stock Registration

Cattle Pound Fee

Teh Bazari Fee

Pilgrim

Scavenging

Prevention of Food Adulteration Fee

Dangerous and Offensive Trade License Fee

Animal Registration Fee

Compounding Fee

Warrant Fee

Bus Stand Fee

Copying Fee

Cart Stand Fee,

Encroachment Fee

Fees from burning ghats

Birth and Death Registration Fee

Sources:

cgg.gov.in/  (http://bit.ly/Jb35C5),

UIDSSMT / http://bit.ly/IkNKk0,

RBI / http://bit.ly/J8i70d

Defying purpose of sidewalks: its story of many developing cities

They sleep, they socialize, they play, they construct, they're born, they die, they live, they beg, they sell and they do everything on that thin and broken strip of exposed sidewalks, but walking. They defy the very purpose of sidewalk.













Apparently It’s not their choice; for some its fate, for some its livelihood, for some its entertainment for some its greed. Sometimes it’s the only piece of land available in a big crowded city for those poorest of urban poor, sometimes it’s the most accessible everyday market place for those returning home from work, sometime its paradise for street food lovers, sometimes its playground for street kids, sometimes its breeding ground of crime, sometimes abandoned sometimes encroached sometimes its provider and sometimes victim of business greed, used for everything, but walking. It’s the story of almost every city of developing countries. In the absence of regular, appropriate, continuous and user friendly sidewalks and footpaths across the city and without better livelihood opportunities and ample urban housing, this phenomenon is going to inevitably present itself in different forms.

Deprived of design aesthetics?

Politics of Design and need of Design democracy

Apart from invention of wheel and some other similar historical or contemporary breakthroughs or design innovation which have served humanity to achieve better life and lifestyle, design has evolved in a very controlled manner at least in recent history and apparently it’s not by coincidence, it’s by choice, the choice of few able hands and minds who have manipulated the evolution of design for their personal monetary benefit. Design has lost its freedom and meaning since the commercialization of design has taken place. Contemporary design process has become less of necessity and more of luxury, apart from those which are for advancement of mankind like computers, rocket science and all.

Apparently designs are manipulated across the length and breadth of product industry to skew and control the market demand and trick the customers, whether its car or washing machine or laptop or handbag or any household product. You see, every item has a line of product to cater to every economical strata of society, that makes perfect sense – something for everyone! Story doesn't end here, it’s just the beginning, beginning of whole gimmick of manipulative product development and market control philosophy. Have you ever questioned why the product “X1” that you bought at cheaper price is average in looks, in its aesthetic appeal and in design than the similar high end product “X2” with its classy elegant look? Ever wondered why the products of same company has different aesthetic appearance across its product range, though its same materials, same product DNA, same manufacturer, same factory, almost same production time, same technology? Is it coincident that if you pay less you will get an inferior looking product no matter what is the product and higher you pay better aesthetical products you will get, no matter what is the product or is it that they have purposefully handed over average design to you and deprived you of the great design of the higher range product so that you will come back to buy the better looking product next time? We are not talking about imbedded technology, of course technology comes at a price.

Is it that we have accepted this hierarchy of design aesthetics as an integral part of business and our daily life? This is true for any product; let’s take car, for example.  Is it a coincidence that the same designer or company who produces that strikingly beautiful design of highest segment car with those passionate and careful curvatures of car body also produces average looking box like cars with primitive decades old design sense in its lower price segment? Is it a natural process of design or this vast aesthetic gap between cheap and expensive product has been created purposefully so that people will appreciate and crave for higher segment product? Otherwise what is holding back companies or designers to give a wonderful design and aesthetics to each of its customer irrespective of their economic profiles, with products prices varying primarily due to its embedded technology or robustness and uniqueness of inbuilt content or additional functional features?

But after all how does it matter, since there is no sense of design ownership and appreciation left in all of us after centuries of design exploitation and manipulation, since we seem to have accepted the fact that design and aesthetes are for rich and ultra rich and average person has no right to ask for a better designed product on an affordable price. Design democracy is only possible when people will feel the need for "right of design aesthetics". It’s high time that design community and product development companies should come forward and liberalise the covert design process and shed the design monopoly, which will only help them accelerate product growth process and a common man will get a better designed product in their budget. 

By- Anoop Jha

What is the most important aspect of mall design?

Is it space and freedom to maneuver without feeling forced to buy?

Of course there are competition among mushrooming malls and multiplex across city, but there are some visible differences between some of the highest and lowest footfall malls. Ever wonderer why? Is it location, is it design, is it scale, is it publicity, or is it people themselves who make any mall successful? 



[Handpicked Books]





Why some malls fail to attract footfall in spite of all the hype and facilities. Possibly it’s the architectural language of mall which defines the success of it through its public or private nature. Malls are meant for public and its architectural language should speak out loud about its open and inviting character. The moment malls start assuming private nature people start losing interest. The moment it fortifies itself through built architecture in the race of achieving maximum commercial advantage and built up area, people hesitate even to enter the premises. People hate to be in a position where they feel forced to buy, even if there wallet is stuffed, or bank balance is soaring high. Consumers have to be attracted to the commercial centers passively, without being felt impose for something. Idea is to provide an environment where they feel comfortable enough to walk in and walk out without being forced to buy something, allow them this freedom to maneuver and they will come again and again, and subsequently buy something or other.