City of Portrait hunters!

City, such interesting place it is with such interesting people. City, where every day is another odd day for accidental encounter with interesting people, subject of inspiration, portraits!

Every thinking face on a street and every thought engrossed expressions on a public transport here is portrait worthy character it seems. Expressions with hints of accumulated experience still hidden behind unfathomable  layers of time, and wrapped under imposed smile, only occasionally revealed by the true talkative eyes. City filled with such inexhaustible supply of interesting characters is a true shrine for portrait hunters whether artists, photographers, writers or movie directors. 

Digital art is so convenient

You can paint or draw on a touch screen, on the go, deriving primitive sense of satisfaction by applying  paint with your bare hand; without need of arranging the paint brush canvas logistics and all of this without getting your hand wet. Only drawback  is that you will miss the fresh raw smell of paint and oil. Go for it!

Design - An interplay and interpretation of subject

Design fundamentals 

Habitat Automation - Can our computers generate architectural concepts on their own?

Automation of Architecture seems to be the only way to fulfill this world dream of a home for everyone!

We all know computers are really good at visual simulation, 3D Modeling and Rendering etc., but when it comes to architectural concept design part can we also assign this task to computers or do we still have to rely solely on architects, for may be another century. We can’t really afford to wait even for another decade considering the handful of Architects in world and ever mounting unattended architectural needs of millions and more across the world, resulting in epidemic architectural indiscipline, in forms of unorganized colonies, squatters etc.  You see the problem is the moment we tag these habitations as squatter or unorganized it becomes a taboo, government and architects tend to lose their interest in such settlement thinking they will deal with it later, they simply let it happen blaming the scarce current resources, letting it morph and mutate, left unattended and when it becomes unmanageable, planners and NGOs come into picture doing their standard Slum Networking and Regularization stuff.  Don’t you think if these guys would have collaborated and helped those guys in the beginning while they just started making their home on their own, in absence of any substantial external assistance and in absence of contextual building bylaws, things would have been very different? Though we know that one of the major reason of such unorganized growth is demand supply gap of skilled manpower specially architects and planners. This gap will always be there so what will we do?

We can’t design and build home for everyone on earth with these limited skill supply, but we can sure help everyone design and build their home on their own with some robust mechanism in place, with very little assistance so that everyone in this world has a place called home.  If there isn’t enough architects and planners in world than we will have to find out some external tool which will assure a home for everyone! We will have to automate this very process of architectural design making it universally accessible at almost no cost, and please do consider that we are not at all talking here about mass housing or government welfare scheme or something. We are talking about knowledge transfer, relaxed, easy to understand and innovative and stratified building guidelines, innovative use of locally available materials and most important of all - automation of architectural design process itself. We are here talking about shear intelligence of computer to do more than 90 percent of architectural design including concept design and delivery part while architects and governing body to take up the rest 10 percent or so of task just to assure the quality of delivered options, rectifying fundamental issues, if any!

With millions of reference images floating freely on internet in form of architectural plans, schematic views, sectional profiles, site plans, neighborhood plans, area plans, city and regional plans, while many millions coming soon, along with almost unlimited supply of architectural and settlement patterns in form of satellite imageries, it won’t be a Herculean task for present and next generations of computers to understand the logic of all this and to produce a somewhat rational building or neighborhood plan and form on its own through its embedded logic and algorithm. Little bit of last mile human intervention and everyone in this world has a blueprint for their home.

Imagine feeding a set of crude data like your architectural wishlist, site location, plot dimension, uploading few pictures of site, surrounding and neighborhood, stating your financial position and budget, then exploring computer generated wonderful building options based on your data input, customizing it within the defined domain if you feel, choosing final one and downloading your own home in pendrive, or mailing it to competent authority or architect for few minutes of final approval. Now, here you are printing plans for execution on site within couple of fun hours, club this phenomenon straight with 3D-Printing thing and here is your home ready to move in, in another couple of hours.

As policy makers we need to be very realistic about finite resources at hand and look for new ways to complement the conventional process, while breaking away from certain self-imposed dogmas and diehard utopian dream built around human habitation needs and conventionally defined standards, dogmas evident from the fact that we have elaborate building bylaws for brick and mortar, and steel and glass, but no clear set of guidelines for houses made of thermocol, plastic sheet, tin sheet, gathered from here and there by poor urban sections. No efforts of technology, innovation and knowledge transfer yet to such populous, just because policy makers across world have a utopian dream of slum free world after some odd decades later, meanwhile intentionally forcing millions to live in squatters and unorganized colonies by not making simple and easy to understand guidelines and relaxed bylaws, utilizing whatever minimal resources and materials are at hand.  Caught in the centuries of dilemma of idealism Vs realism! Since these limited human interventions with limited skilled manpower supply haven’t been able to solve this world habitation scarcity and architectural indiscipline, may be its time we should look out somewhere else to fulfill world habitat needs - may be towards machines may be computers!   

You might also like to read another post: 
What planners of urban environment can learn from online environment? 

Solar : ReNu(Able) Energy

Lets Go Solar!

A Public Art you will appreciate!

Making Vibrant Public Spaces and Amenities 






 

At an Art and Craft Festival Near Delhi, India

What planners of urban environment can learn from online environment?

Radical possibilities if they get it right!

The single largest advantage of online environment over urban environment is that online environment is spontaneously morphing and mutating. It’s a spontaneous collaborative environment with user generated content, individually conceived collective community efforts, within a larger set of easy to understand rules with basic governance and minimal intervention. Best part is that it all comes unasked. All you need to do is to create an online platform intuitive and sticky enough to appeal to masses, leaving rest up to user’s creativity. Users are motivated and willing enough to spend their own time and money and whatever it takes to contribute to this global phenomenon, mostly unasked mostly free, they are even willing to pay for it in some cases, be it social or professional networking platform (Sharing/ Facebook/ Twitter/ Linkedin) or cloud environment (Storage/ Backup) or virtual collaborative tools (Building/ Sharing/ Docs), open source programming environment (Building Blocks/ Learning/ Sharing) or just a platform to share their own piece of mind or simply converse (blogs/Forums). Amazingly this ever-thriving virtual environment with apparently intangible inputs even gets translated into tangible outputs. A self-sustainable virtual community environment with little bit of nuisance andchaos which can be managed and currently being managed through series of governing and control instruments! Wonderful!

Let’s talk about urban environment a bit, parallel to online environment. Let’s identify the obvious constraints and major differences. Urban environment is tangible in nature, things like - raw material, physical infrastructure, resource intensive, capital and labor intensive and then there are governance and management issues since resources are limited and stakes are high. Let’s see some common somewhat overlapping traits; both urban and online environment needs basic physical infrastructure in place some of which are common as well (Power, Water, transport VS Telecom infrastructure/ Wi-max/ Wi-Fi etc. with common later part), both environment require serious manpower to build, sustain and grow, they both demand control and security, both need a heterogeneous mix of business models as well and so on. What comes to mind now? What you are thinking right now absolutely makes sense - with so much of similarities while having “people” and “community” at center stage in both cases, why haven’t we explored the mutual learning possibilities and why we haven’t been able to translate the online functional learning experience into building of physical community called “City”.

Can we do it? Think so; at least we can give it a try! By establishing a logical, statistical, mathematical and philosophical co-relation between the two, leaving possibility to weave the city fabric and its functionality further in future! This analogy of physical (urban) and virtual (online) environment presents a model of self-evolving self-sustainable community further translated into urban community where every member of community is contributing to build the “physical environment”, though they are already doing it “Socially” well at present. Can we give a community or region enough flexibility to shape its own environment, customizable up to their personal needs and choices without hampering the public interest, with basic infrastructure built in place to start with, a set of basic rules to play with, some basic building blocks to kick-start, with flexibility to select platform and tools of their choices to build, with a governing, supportive and helping hand, watchful eyes as well as security and rescue mechanism in place, with some kind of layered public, community and personal finance model and so on, all this flexibility within a controlled and transparent environment. Reinforced by supervisory control and incentive instruments! Building with a vision of “sustainable community” and “fairness ofopportunity” at center stage! Fortunately we have analytical tools, informative resources and accumulated experience of mankind today which can help extract and derive and establish useful correlation between the urban and online environment paving a way for better and sustainable future!

Sustainable City Graphics2

Disclaimer - Starbuck coffee / company logo style has been used for the graphics in this blog post with simple aim to create environmental awareness in the world and to promote sustainable urban planning and architectural design practices, considering this effort will only further enhance the image of company as a sustainable brand, in case the use of font/ logo style is felt inappropriate or objectionable by the company they should inform the author to get the graphics removed from the blog and post.  

The only sustainable retrofit whether it’s a product or city environment

To leave scope for future retrofits in the moment you conceive the idea of product or vision of a city.

Today you realize after 5 or 20 or 30 years that this product or system or infrastructure which you had planned back then with the most sophisticated tools and technology available at that time, with the best brains at disposal and the best hands available, that robust system of past desperately needs a technology overhaul and efficiency retrofit today, just to validate its contemporary relevance and to drag itself for few more miles in the tomorrow, but it would have been quite difficult for you to confront and accept this apparently unpleasant fact that this product, infrastructure, system or even strategy which you claim to be the most advanced and avant-garde today is very soon going to be outdated, very soon indeed!! Acknowledge it or not, that’s how it works, especially when technology, planning and policy is concerned only thing which remains eternal is aesthetics and nostalgia associated with such technology, possibly that’s why many people still prefer analog watch over digital one, that’s totally a personal choice.

Change is not only an integral law of nature but equally a law of technology, inevitable like growth of humanity, because humanity is curious and that’s why innovation and hence need to replace and retrofit old technology. Problem with the contemporary approach of planning and product design is that we tend to conceive and create a system or product which is 100% complete in its form and design “today” leaving no scope for future integration except few exceptions, even knowing that need for retrofit is waiting only at the next turn of system or product life-cycle  You see those overly stuffed embedded products, jam packed conduits, circuits and channels, overcrowded service corridors, saturated underground utility trench, suffocating right of ways (ROW), chaotic narrow streets, thousands of unventilated unlit city rooms and residences, all of this have two things in common, one, is the shear lack of vision and second, ignorance to change. Change which is inevitable, but we are happy and content with what we have planned today, who cares for tomorrow? Meanwhile, you enjoy all the attention and praise because of your new product and system. They might even have bagged few awards for best innovation and work in the field, but it all doesn't really matter if that product or vision fails in next couple of years. The single largest criteria of product or planning judgment and evaluation has to be sustainability, which means your product or system or vision have to have an inbuilt scope for absorption of future technology and efficiency integration for sustainability, to keep up with future pace of life and lifestyle.

Lets talk something about "sustainability" here. The word "sustainability" has been exploited much in recent years  increasingly assuming a very narrow meaning just revolving around "anything green". Lets keep in mind that being or doing green is just a piece of sustainability. Sustainability is much more, it is vastly inclusive a phenomenon, it is about the whole life cycle of product or system or plan. if you make a greenest product on earth which has a life span or tech-viability span or people-acceptance span of one or two year that is not sustainable when compared to a product which is though not so green in its DNA but which has a larger life span or acceptance span of may be half a decade or so or more. All the resources  which has gone into making of that short lived green product goes to vain at the end of its functional or acceptance span but the similar resources  which has been consumed in making that not so green product with a much longer life span seems more sustainable an option.  Using 5 most "greenest" products of same use one after another in just five years is much less sustainable than using 1 single "not so green" product for 5 years.

Now today you realize that environmental laws have become more stringent, people have become more educated, aware and choosy  technology has become more and more complex and sophisticated, every coming tomorrow product or system of yesterday is becoming obsolete, what to do. We can’t really plan for something which has not been invented yet, but we can always try to leave some scope for future integration, for the time when it is invented. It might add to few percent of capital or man hour but it’s worth giving a thought. Acknowledging the need for future retrofit and leaving some scope for it today will make our life easy tomorrow, products more relevant and cities more sustainable.   

ARTnDESIGNSTORE

All your design needs

Abstract Art, to Graphic Design, Home Décor & Interior Design to Product Design, Thematic Sculptures and more.

http://artndesignstore.blogspot.in/

planningurbanoregional@gmail.com

Sometimes you appreciate unintentional grunge architectural experience!

Even architects refrain to talk about the darker intuitive side of architectural experience.  

Looking through a dirt clad window glass pan on a rainy day at  your half a century old sparingly used ancestral house, mysteriously thrilling fog and  street light setting as viewed from the window of a motel room in no man’s land where you stayed last weekend on your way back home from a road trip,  flickering interplay of light and shadows projected on the walls and roof  of your bedroom by the light of traffic passing by on the adjacent street,  bizarre abstract patterns on the under maintained damp bathroom or subway walls,  grunge white noise of much awaited rain pouring on the garage tin shed,  looking at the engulfing silence of valley from the balcony of a remote hill resort experiencing the shear lack of artificial urban sound of which you are used to or an experience of strange inquisitive damp smell while you are getting down the basement stairs in a dimly lit surrounding, you at times experience unspoken, unperceived, un-designed and unintentional side of architecture further accentuated by the time of year and day, your mood and company or absence of other people at that particular time.   

At times you feel so tiered of popular architecture, popular formula of architecture, formula of what should be and what not and all the glorification and stubbornness around what is popular, those are kind of beautiful, but they are every were, architectural orders, theories so much overvalued so abundantly repeated, interiors so much commercialized so much in order, so much restricted, so much formalized, you are left with no choice but to live in an environment which appeal to neighbors, your housing society and society at large, even You don’t know what you really want to experience. Spoon-fed architectural experience of what is good and what is bad being taught to architects as well as future prospective clients in the school. They are taught to create wonderful architecture but no one encourages them to create wonderful personalized architectural experience no matter even if its eccentric on conventional benchmark, experience of space which you can’t really create with the popular architectural tools, styles, mass education, thumb-rules available and being used widespread today. For example if you have already decided that a particular room, should have a particular lux level of lighting, particular illumination level,  uniformly distributed across the room with slight variation here and there as prescribed in the architectural bible or bylaws or general practice or as limited by the market availability and client’s choice of fixture, you can’t create an architectural experience which is thrilling, mysterious, inquisitive and even hauntingly sticky at times even for a moment, which are human psychological needs and part of their personality to experience such environment, at least just for sake of fun. No wonder at times you cherish that moment of darkness in the rainy damp evening or moonlit night when suddenly there is power cut for a brief period, because you have just experienced the dimly lit darker side of architecture which was never intended for you to experience in its original form, but only you know that how much it means to you to experience that very silence of spatial darkness, that mysterious view of dusk from the dark corner of your room, that stillness of ambiance and lack of bright LED light, that passionate experience in the beautiful and diluting sphere of space and light created by that single candle lit on the dining table, that momentarily grey sheds of otherwise bright and warm colors of interior walls. We are talking about darker side of architectural experience which induces a momentarily feeling of introspection to the occupant through its very silence, stillness darkness and grunginess, many writers, directors, photographers, architects, and artists will be able to relate to such experience. Grunge architectural experience which in thought provoking and inspires you at times and which is innate human psychological need somewhere buried in the subconscious under the monumental load of popular architectural experience!  

By: Anoop Jha

Planner’s Dilemma – A case of developing nation.

Choked Public Drain, Whose fault? 

Repeatedly choked public drains, is it due to under capacity drainage Infrastructure, an unplanned network, inadequately planned disposal system, underestimated growth, unexpected demand, immigration externalities, over exploitation of resources, lack of vision, out dated technology, inefficient management, uneducated population, citizens with low or no sense of public responsibility, lack of willingness, lack of database for timely assessment, no early warning system, underreported occurrence, over hyped issues,  diverted attention, prevalence of corruption, discrete tax structure for usage of public infrastructure, lack of maintenance, insufficient funds, absence of relevant law, loophole in policies, or may be implementation failure?

Drainage/ sewage disposal issue is just an example to illustrate; there are innumerable examples and issues like this in an urban setting whether its inadequate water supply, transport chaos, interrupted and poor power supply etc, and innumerable reason for the each of these issues.  It’s a very common phenomenon in towns and metropolitan cities of developing nations, but what’s the solution.

After some time of tolerance people start losing their patience due to public infrastructure system failure like this, then some hue and cry, some demonstration, followed by media coverage, then suddenly public agencies wake up, some blame game, then some investigation committee, followed by months long survey, then few months of compilation, then some kind of outcome and recommendations, by that time people already start losing their interest in the subject, by that time there are  other hyped issues to deal with, and this show goes on. Somewhere in this cycle of events planner or some planning consultancy firm gets introduced to assess the situation and resolve the issue. Do you wonder how much or how little a planner can help to resolve the situation at least bringing down the scale of chaos.

Do you see how many vulnerable points can be there in the value chain of any system as we saw in the blocked drain example? More the number of elements more the chances of failure of system.  A system with a long operational or value chain can only work efficiently, if all the possible elements of interest work efficiently individually and cohesively together as well. When an urban planner or similar is approached by public/ private agency to resolve such development or redevelopment issues, they expect an out of box magical solution. Planners can of course suggest a wonderful infrastructure solution at some reasonable cost; they can propose some implementation and regulatory strategies as well, but one has to understand that a “multifaceted urban issue” needs an “inclusive solution”. Planners need to be empowered to have a say on any or rather every element which might affect the proper functioning of any urban or regional system, even if it’s an aspect which is tangential to the core system but which can impact the system in future. Planners have to address or at least talk about each and every tangential aspect of any core issue while suggesting a solution blueprint for development redevelopment projects. For example, one might argue how a drainage problem can be related to education of citizen, they can always say while problem like this demands infrastructure solution why to talk about education? Let’s consider this.  No matter how well you plan the infrastructure, if there are uneducated users, infrastructure is not going to work as the way it was perceived and planned. Even simply being educated is not enough, there has to be education with a sense of responsibility, a sense of citizenship.

What a planner can do in this situation for example. A planner has to talk about the relevance of educated citizens in proper functioning of the public infrastructure in its strategy report; he can go to the extent proposing restructuring of school curriculum, so that users become responsible enough toward public infrastructure while they are still in school. suppose If people are educated and responsible as well but still not using public infrastructure as intended there might be flaw in signage design or placement, planners need to talk about that in its development report, they might need to talk about the role of education through technological infusion to masses through different communication channels before they are about to introduce a new technology in public domain along with ways of infusion. Similarly they need to propose some short to long term strategic inputs for all the ancillary aspects revolving around the core public system or infrastructure issue no matter how distinct they appear.

So that you never run out of development ideas again!

Wonderful list of vision script for urban development,

Have created a list of possible vision statements in snippet form for your quick reference, just to keep your creative thinking wheel running. 

Reshaping city, Re-harmonizing urban clusters, Recasting city silhouette, Re-energizing spirit of city, Re-establishing magnificence of old city, Revisiting the glorious past, Re-engaging population, Re-engineering city infrastructure,  Reconnect to past, Rethinking city, Repositioning city, Recreating       history, Reinventing urban mobility, Reorganizing urban growth, Rebuilding city aspirations, Reintroducing urban techniques, Redeveloping business hubs of city, Rerouting transit veins of city, Re-knitting city fabric,  Reuniting city fragments for better functioning, Urban rezoning for optimization, Reintegrating smart urban technology, Redesigning mobility grid, Re-envisioning historic city, Re-proposing mobility, Reimagining urban future, Redefining boundaries of urban innovation, Repurpose  city finance, Reorienting city growth direction,  Rebuilding city governance structure, Re-linking destinations, Rearranging development priorities, Realigning development objectives, Reprioritizing urban development avenues, Restructuring functional hierarchy of city, Re-exciting life in urban public spaces

Glimpse of cultivation worldwide

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Right Color for Right Occasion

Comprehensive Color Matrix with associated Values 

Colors preferred and used for different occasions, purposes etc. Gray highlighted areas point to colors and respective usages, i.e. Colors appropriate for Corporate Presentation, Colors most used for advertisement, used in Interiors, Colors naturally preferred by different genders, etc.  

How Facebook incited design sense in layman.

Do you see cropped family photograph mounted on living room wall? Usually not!!

The only fundamental difference between a designer and a layman in context of design is the way they see all things intangible or concrete. When graphic designers look at something, they see it as a building block for their design subject exploring possibilities to infuse their creativity, but laymen see things as it is. Graphic Designers usually pick up a subject or a set of elements then break them into pieces only to rearrange them again making it a little abstract and hence interesting. It’s too tricky a job for a layman, so they simply leave this design work to designers.

It you try to recall a classic family photograph of your grandparents in black & white or your parent’s photograph in sepia or your own picture with your wife or friends in full blown HD colors, you will find one common thing in all these, no matter what the age of photograph is, all these photographs have been clicked with a wide field of view to capture all the subjects “in totality” with slight “margin” on all the sides. When we take a photograph especially a family one, we not only want to capture the individuals but we also want to capture that beautiful moment, that ambiance and that environment, so we tend to shoot a photograph with larger frame capturing surrounding environment of the person or subject as well.  

   

When Facebook introduced Timeline feature, it empowered a common man to be a designer knowingly or unknowingly with a tool called Cover photograph, most of you have used this feature. What is interesting here is that this linear space allocated for the cover photograph is pre-decided and has been freezed only with a little flexibility in terms of adjustment of photographs. Now all one has to do is to upload a picture here, adjust it vertically and job is done. Now when you upload your family photograph here, that initial carefully captured photograph with extra margin around the subjects and surrounding ambiance and so on is all gone and you will see a new cropped version of the same photograph in the cover photograph section of your facebook. And surprisingly you will start liking this new cropped version of the photograph even more now. Ever wondered why? Because you have applied a basic thumbrule of graphic design here knowingly or unknowingly, thanks to facefook feature i.e. to crop the image to an extent so that it start gaining abstractness and hence making it more interesting. Fortunately that space provided for cover picture is such that it allows you to crop the image only from two sides which makes the image more abstract and dynamic. See everyone is designer now!! No wonder why you are spending more time on facebook since the timeline was introduced!! 

It’s Art if you can prove it…

Beauty lies in the description of subject not in the eyes of beholder!

We all have seen those classical photorealistic portraits, landscapes and still-life paintings, those precisely chiseled anatomical sculptures as well as those scientifically calculated complex structural building forms and the moment we see it we unanimously conclude that it’s a piece of art. We visualize, appreciate and interpret those art subjects as it is. Here we are talking about something different.

Let’s talk about art in the context of contemporary abstract and modern art, symbolic sculptures, concept based product designs, landscape and urban design installations and to some extent architecture. Let’s face the biting truth of contemporary art and design, i.e. “Abstractness” in art and design and other creative fields has become an easy escape for majority of artists, designers and likeminded people in the contemporary world due to its low-labor-low-skill-fast-production nature and high perceived intellectual and monetary value. Though there is psychological interpretation and justifications of “abstract art” as well but let’s focus here on the whole gimmick of art and commercialization surrounding art and design industry in the name of abstractness.

  

Let’s see how it works. Let’s be clear in the beginning that it’s not “Art” which is being sold, it the “Story” which they are buying, story of struggle of that artist and designer, story of making of that art and design work, story behind that abstractness. More the abstractness more the flexibility to weave a convincing story around that art, more the vagueness more they are capable to defending their artwork. So it’s not the art but the descriptive and convincing power of the artists and designers which all matters.

If you are not convinced yet let’s see few examples, suppose you see a particular piece of modern abstract contemporary art or installation which is beyond your perception, and your first reaction is “what’s the point”!! Then someone comes and tells you that this is a master-work of some renowned artist or sculptor or designer and then you unsuccessfully try to derive some meaning out of that art which was greek and meaningless for you a moment back, because you don’t want to challenge the authority of that renowned someone, because you know he or she will tell you a very convincing story to prove the meaning of their art. And they can do it very well, they are expert story tellers. That piece of art might be a genuine feeling and true expression of that artist or designer but there is an equal probability that it might be a story fabricated by that artist or designer or sculptor or others, around that art work to manipulate and convince you of its greatness and one can do that very easily if needed. And why not, if people are willing to spend fortunes to buy stories, let’s tell them stories, that’s what they are doing.

Still not convinced? Do it yourself then. Take a large white canvas or paper and few bottles of acrylic colors; put the canvas horizontally on ground and pour those colors randomly here and there on the canvas, use your creativity, instinct and any or some of the tools at your disposal, your hand, your old toothbrush or comb, kitchen utensils etc., just anything to roughly spread and partially mix those color on the canvas. Your painting is ready, now let’s weave an interesting story behind the painting subject, whatever comes to your mind first just go for it. 10 minutes and you are ready with an abstract masterpiece; rest up to your descriptive skill, now “if you can prove, it’s an Art, if not it’s a crap”. Best part is that you don’t have to be an artist or designer to do that, if you want to do a reality check, put this just emerged master art work in your living room, let people come and describe it for you or alternatively describe a different theme to different guests, just for fun. You will be surprised to see the positive responses; someone might offer you a good price for that as well!!

By- Anoop Jha

“Sun Sign architecture” - Going beyond Vastu and Feng Shui

Where architecture and astrology comes together!!

Is it possible to provide tailor-made architecture for individuals? Each member of a family has a particular trait, temperament, preferences and choices, when it comes to architecture and interior design some have strict preferences, some have vague idea of what they are looking for, some doesn’t even know what they want, so when an architect asks client about their aspirations, design, functionality and aesthetic choices for their new dream home, client’s responses are either based on recent impression of their architectural quest through architecture and design magazines, neighborhood villas, exploration during travel etc., while integrating little bit of their own needs with a cap of tentative budget.

Now an architect has few choices to make. One is to give client exactly what client want and keep them satisfied in terms of their design aspirations- client is happy, you get your money, job done! Another choice is to take this project as an opportunity to fulfill your own long awaited dream as an architect- you have got a wealthy client willing to invest, you got an architectural playfield to release your creative juices, go ahead and make some masterpiece, you can always justify your work through some convincing design theory or philosophy.  Third choice which is apparently more transparent and holistic in nature is to delve deep into the client’s mind and personality and dig out their dormant design aspirations and help them express their feelings. How can we do that? Clients might be shy, might be dominant, might be receptive, might be stubborn, no matter what, it’s the job of architect to thoroughly understand the client’s need while deliberating possible alternatives and provide them the best tailor-made solution possible. A sensible architect strikes a balance between his or her own architectural inclination and client’s precise needs.  

A basic understanding of astrological elements like sun signs, its characteristics, traits and corresponding effects on the individual’s personality, nature and behavior, aspirations, moods, aesthetic demands in terms of preferred colors, materials, etc. belonging to a particular suns sign, might help a lot to understand the clients unexpressed needs. Most of us will accept that knowingly or unknowingly we tend to choose a particular design element type and objects over another, we also tend to appreciate a particular surrounding ambiance type over another, so knowing the sun sign of client and considering their physical, psychological and aesthetic effects and traits on client’s choices while designing might give an extra edge to final architectural product including interior design. Imagine designing a unique house for a family with a unique blend of colors, material, warmth spaces etc. chosen based on their individual sun sign, amalgamating into each other catering to unspoken traits and temperament of inhabitants.

Architects and interior designers might understand the significance of basic astrology in architecture (and we are Not talking about Vastu and all here) but they won’t prefer to use it for the benefit of client, because no one asked them to do this, neither it was part of their education nor its part of their scope of work, while it adds a little challenge and thrill to their work demanding extra time which they don’t seem to have. Given a second thought you might find it a good idea and a valid reason to incorporate a little bit of sun-sign in every architecture which is private in nature, tailor-made to individuals. 

By- Anoop Jha

Let me Complicate it for you!!

Human mind needs complexity to appreciate design and aesthetics

If it’s too obvious it’s boring. If we have seen it earlier or something similar, it’s boring anyway. We always look forward to see and appreciate a piece of design or work of art or architecture which is refreshingly new, but still with a stubbornness  of design expectations since we also love the nostalgia attached to the familiarity of object or subject.

Possibly the reason abstract and modern art emerged is because people were fed up of realistic and photo-realistic portraits and other painting subjects and demanded something new something avant-garde to appreciate. Though there were complexity of techniques and process involved in those elaborately detailed classical or miniature paintings but abstractness of modern art gave viewers infinite possibilities to perceive, interpret and appreciate the artworks.  Though the artwork and style was new, people were still able to relate to it because of carefully chosen subjects of contemporary importance of that era or region. Similarly with architecture, possibly the abstract and minimalistic  architecture emerged because people were tiered of those architectural details and geometrical orders, people later demanded purity of geometry not the order of geometry, they demanded thematic abstractness of elements not the sensory overload of detailing and Minimalistic architecture provided them all they wanted.

We have reached a time in the human evolution where we seem to have cracked the base code of aesthetics, analysing the rich history of art and architecture and documented enough in course of time for generations to come, while accelerating fast towards future. Now when we have tested basic design flavor and aesthetics of almost every kind how will we satisfy the design and aesthetic urge of humanity which is always looking out for something new to appreciate.

History shows, we have and we will find out new ways to provide the world with new design aesthetics which they will enjoy and appreciate. Fortunately there are ways to do that. Apparently there are two fronts on which we can innovate. One is technology; other is complexity of design itself. Technology will provide us materials, techniques etc. to innovate on design front and complexity of design will give us opportunity to challenge and satisfy the demanding aesthetic urge of curious human mind in field of art, design, architecture etc. What is complexity in this context? Complexity is to give them a piece of work , art or design or architecture which is difficult to grasp in one go like a puzzle, but quite familiar, contextual and easy once decoded, something which challenges the mind. Complexity provided by emerging materials, techniques and tools as well as complexity of forms, and abstractness.

By- Anoop Jha

Where have we reached in evolution of Interior Design?

Analogy of Sculpture and Interior Design

Evolutionary comparison of sculpture and interior design can throw some light on the state of interior design in which it is at present and may pave the future direction for it. If you analyze the evolution of Sculpture, it has evolved from a “symbolic gesture of kingdom and state authority” historically to the “liberalized expression of rebellious creative individuals” in past century to an “interactive public art” at present. When it comes to interior design it has evolved from “utilitarian design driven by necessity” to “lifestyle symbol with expression of wealth” to “uniqueness with technological integration”. The crucial missing point in the evolution of interior design is that it has still to reach a point where a user can interact and relate to it rather than simply appreciating its beauty and ambiance while waiting on a comfortable couch in a lobby or from a workstation of an office.

While the focus of sculpture, individually or as part of landscape architecture or in public domain has shifted from a decorative element to an interactive and engaging public element, the efforts of interior design has remained focused mostly in the aesthetic domain with attention to space efficiency, economic execution and operation even at present. Since all the efforts are concentrated on the aesthetics, ambiance and efficiency part of interior design, majority of architects and designers are caught in to the vicious cycle of making it more and more efficient. It’s high time that architects and designers should break this cycle and create an indoor environment which is not only appreciated by the users but where division of user and space gets blurred, a space where occupant is constantly interacting with its ambient indoor environment in tangible manner, where user have been kept engaged not only by its aesthetics but in terms of physical and mental activities, an informative, interactive indoor ambiance like the case of modern public sculptures.

By Anoop Jha