Where have we reached in evolution of Interior Design?

Analogy of Sculpture and Interior Design

Evolutionary comparison of sculpture and interior design can throw some light on the state of interior design in which it is at present and may pave the future direction for it. If you analyze the evolution of Sculpture, it has evolved from a “symbolic gesture of kingdom and state authority” historically to the “liberalized expression of rebellious creative individuals” in past century to an “interactive public art” at present. When it comes to interior design it has evolved from “utilitarian design driven by necessity” to “lifestyle symbol with expression of wealth” to “uniqueness with technological integration”. The crucial missing point in the evolution of interior design is that it has still to reach a point where a user can interact and relate to it rather than simply appreciating its beauty and ambiance while waiting on a comfortable couch in a lobby or from a workstation of an office.

While the focus of sculpture, individually or as part of landscape architecture or in public domain has shifted from a decorative element to an interactive and engaging public element, the efforts of interior design has remained focused mostly in the aesthetic domain with attention to space efficiency, economic execution and operation even at present. Since all the efforts are concentrated on the aesthetics, ambiance and efficiency part of interior design, majority of architects and designers are caught in to the vicious cycle of making it more and more efficient. It’s high time that architects and designers should break this cycle and create an indoor environment which is not only appreciated by the users but where division of user and space gets blurred, a space where occupant is constantly interacting with its ambient indoor environment in tangible manner, where user have been kept engaged not only by its aesthetics but in terms of physical and mental activities, an informative, interactive indoor ambiance like the case of modern public sculptures.

By Anoop Jha

How we assess and respond to architecture

Need of assessment without prejudice and unconditioned response.

Architecture and design is awfully judgmental and philosophical stream, its aesthetic and functional perception varies from person to person and it holds different meanings for users of different socio-economic and educational background.  For the evolution of architecture it is necessary to assess it from a radically different perspective, questioning every established values and prevalent formulas and benchmarks of good architecture.

Just getting overwhelmed by the magnificent interior of a high-end hotel lobby or much hyped restaurant interior or luxuriously decorated living room of an ultra-rich individual is not a real justice to the architecture and interior design in term of its design assessment and criticism. When someone come across to such wonderful places associated with big names, their immediate response of pleasant surprise in the moment they enter the building makes their design assessment biased with a touch of prejudice. Their analytical mind which is responsible for aesthetic and functional judgment, immediately surrenders to the mesmerizing ambiance of interior. Getting mesmerized by something amazing is a natural response of the human mind, but little more is expected from the architects  and designers in terms of their response to immediate environment, surrounding ambiance, assessment in terms of functionality and desired balance between aesthetics and  functionality. In that state of amazement they tend to forget the actual purpose of design, and start judging it on its face value.

Lavishness and expensiveness of architectural treatment can be enough to move an average audience or user hence one should be cautious not to get deviated or mesmerized by the shear ambiance of the environment while assessing the functionality and aesthetics of the said design. One has all the right to question the validity and contextuality of design elements and functionality of design even if it is created by established and much celebrated architects and designers. Often people seem to have been caught in the articulated concepts and animated design language while assessing and experiencing architectural spaces and design elements. Their experiences are colored by the aura of authority of established and much hyped architects and designers. Experiences are more or less fabricated and predefined in most of the cases.

One feels that there should be freedom of assessment. There is a need, not only to challenge and break free of established design values but to perceive the design from a clear vision which is beyond the past experiences, which is neither opaque by any prejudice nor conditioned by any socio-economic or regional background of the observer. An assessment based on complete firsthand experience might be a better and sensible way to judge the design.

By Anoop Jha

Deprived of design aesthetics?

Politics of Design and need of Design democracy

Apart from invention of wheel and some other similar historical or contemporary breakthroughs or design innovation which have served humanity to achieve better life and lifestyle, design has evolved in a very controlled manner at least in recent history and apparently it’s not by coincidence, it’s by choice, the choice of few able hands and minds who have manipulated the evolution of design for their personal monetary benefit. Design has lost its freedom and meaning since the commercialization of design has taken place. Contemporary design process has become less of necessity and more of luxury, apart from those which are for advancement of mankind like computers, rocket science and all.

Apparently designs are manipulated across the length and breadth of product industry to skew and control the market demand and trick the customers, whether its car or washing machine or laptop or handbag or any household product. You see, every item has a line of product to cater to every economical strata of society, that makes perfect sense – something for everyone! Story doesn't end here, it’s just the beginning, beginning of whole gimmick of manipulative product development and market control philosophy. Have you ever questioned why the product “X1” that you bought at cheaper price is average in looks, in its aesthetic appeal and in design than the similar high end product “X2” with its classy elegant look? Ever wondered why the products of same company has different aesthetic appearance across its product range, though its same materials, same product DNA, same manufacturer, same factory, almost same production time, same technology? Is it coincident that if you pay less you will get an inferior looking product no matter what is the product and higher you pay better aesthetical products you will get, no matter what is the product or is it that they have purposefully handed over average design to you and deprived you of the great design of the higher range product so that you will come back to buy the better looking product next time? We are not talking about imbedded technology, of course technology comes at a price.

Is it that we have accepted this hierarchy of design aesthetics as an integral part of business and our daily life? This is true for any product; let’s take car, for example.  Is it a coincidence that the same designer or company who produces that strikingly beautiful design of highest segment car with those passionate and careful curvatures of car body also produces average looking box like cars with primitive decades old design sense in its lower price segment? Is it a natural process of design or this vast aesthetic gap between cheap and expensive product has been created purposefully so that people will appreciate and crave for higher segment product? Otherwise what is holding back companies or designers to give a wonderful design and aesthetics to each of its customer irrespective of their economic profiles, with products prices varying primarily due to its embedded technology or robustness and uniqueness of inbuilt content or additional functional features?

But after all how does it matter, since there is no sense of design ownership and appreciation left in all of us after centuries of design exploitation and manipulation, since we seem to have accepted the fact that design and aesthetes are for rich and ultra rich and average person has no right to ask for a better designed product on an affordable price. Design democracy is only possible when people will feel the need for "right of design aesthetics". It’s high time that design community and product development companies should come forward and liberalise the covert design process and shed the design monopoly, which will only help them accelerate product growth process and a common man will get a better designed product in their budget. 

By- Anoop Jha

There is no shortcut to Good Architecture or Urban Design

Losing purity of form in contemporary architecture

You must have seen bizarre buildings, distorted mega sculptural elements in public places scattered all over the urban fabric. This entire gimmick in the name of creativity and uniqueness!! It’s like; short term YouTube or social media fame. It may grab attention of public for sometime but such architecture or urban design or public landscape elements are not going to sustain for long.

Though different era of history has witnessed different architectural styles, elements and treatments but fundamentally, beauty of architectural forms have remained timeless and it is timeless indeed. Timeless architectural aesthetics can’t be confined in any time-span or region. Architecture demands a fair representation through lucidity of form with innocence and tenderness of its complex but aesthetic attributes, which is getting lost somewhere in the race of success, uniqueness and technological race. Suddenly so much advancement has taken place in building materials and construction techniques and it appears that architecture has become an experimental ground to execute hidden bizarre instincts of architects who seem to be unable to handle this outburst of Techno-architectural possibilities. 

Art of Urban exploration

By - Anoop Jha,

Then, Now and What Next

Historically cities have provided great inspirations to writers, artists and likeminded people,  reason being, cities have very rich, eventful and intricate interaction patterns when it comes to life experiences and have rich interspatial fabric with dynamic interplay of light and shadow. Different cities at different time periods have lacked at different  fronts and same with the contemporary cities, but ever wondered why, the focus of literature and art has shifted from aesthetics to state of city amenities? Of late people have started approaching the cities very critically, finding loopholes, pointing responsibilities, and so on.



Of course these are necessary for the well being of citizens and development of cities, though understanding the constraints of contemporary cities, but cities still provide ample opportunities and inspirations for enthusiast with artistic inclination like writers, artists, photographers etc. to appreciate and document the beauty and existing state of cities from aesthetic point of view for the generations to come.    

Blue Infrastructure strategies for Green Infrastructure

Water and related infrastructure collectively plays a vital role in wellbeing of city. Urban quality of a city can be accessed on the attention given to its water resources by the city planners and authority which includes conservation measures, utilization strategies and quality of water resources.  Quality of Water is the scale on which urban health can be measured. Water has its whole spectrum of influence from drinking water to sanitation to micro climate to green cover and varies in scale and operation from pond to river to sea and flood. Conserving and creating and managing blue infrastructure of city is the way towards greener infrastructure  and sustainable future

Why we can't & shouldn't get rid of open spaces of city.

Holistic environmental economic view 

Open and Green Spaces have been integral part of the fabric of city historically and served as a democratic interaction place for citizens in the sea of individual private territories of a city. Though green landscape philosophy and clean ambient environment techniques have evolved and spread widely in course of time from open public realm to building interior, to terrace garden, to artificial air purifiers etc. but the material or psychological need of public open spaces in the city can not be replaced by any other present technology or method. So its not only the need of green spaces but the need of pubic space which validates the existence of such open and green spaces throughout the city and this need cannot always be evaluated on monetary terms. Government and municipal bodies  need to find out new innovative fiscal strategies to raise funds to operate and maintain such spaces rather than getting rid of green space for immediate economical benefit.