Digital art is so convenient

You can paint or draw on a touch screen, on the go, deriving primitive sense of satisfaction by applying  paint with your bare hand; without need of arranging the paint brush canvas logistics and all of this without getting your hand wet. Only drawback  is that you will miss the fresh raw smell of paint and oil. Go for it!

15 things I learned in 10 minutes about photography - Flipping through a reputed travel guide book

Amazing revelations about Photography-

1)   It’s not just about Iconic structures or monuments it’s about capturing their interaction with the people

2)   If you are capturing a lively street, capturing an element of motion is a must (people, car etc.)

3)   When capturing sculptures or carved details in the open sun, wait for the right time of the day for the perfect shadow which accentuates the dimension and details of subject

4)   Capture the clouds in the background (particularly at dusk ) and half the job is done

5)   Capture  water fountain in the foreground and half the job is done

6)   Capture someone capturing others (seems a cheap trick though)

7)   If you capture street dining you must capture some element of service - something being served or by someone who is serving the thing

8)   If capturing museum or exhibition you must capture the chemistry between the exhibit and spectator, capture someone quite still and who is trying to understand and appreciate the meaning of exhibit

9)  Capturing the public spaces, capture the people and their behavior at the very intersection  of daylight and shadows (it naturally captures the human dilemma of judgment whether to go out in open sun on stay in the shadow) 

10)       When capturing motion you must have something static for reference, but for best results “that static one” has to be the one of the vary things which are moving (people, car etc.)

11)        Capture a glass building at dusk at the very moment when it gets illuminated in the evening while it is partially illuminated from outside as well from setting sun

12)       There is at least one definite location from where the famous sculpture or display (or structure) looks perfect (and usually it’s the most abused one as well, since whole world seems to capture the shot from the same point)

13)       When taking a shot of any high end restaurant  dining scene, don’t just capture the food and luxury, and candlelight, you need to capture the people having supper, with their interactions and their exaggerated animated  expressions

14)        When in vegetable market capturing a vendor interacting with customer, a price list smudged with chalk or otherwise in the backdrop is must.

15)       Shop display window + scripted shop name typo + passer by = classic shot without fail

Another series of interesting observations will be part of upcoming posts, Join me on twitter @urbanoregional for updates.  Your view and experiences are most welcome.

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Top 50 books of Urban Photography,Art and Aesthetics

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Urban underground art : perception and mainstream absorption!

A case of graffiti culture in a city environment.  

Some say its vandalism, some find it an art, some say its irrational some say it’s cool, some see it outdated, at places it’s in vogue, reasons can be many, from fun to revolution but result is one - Graffiti. In this varying landscape of purpose and perception, there is always an apparent struggle to conclude what is right and what is wrong in an urban environment. What with graffiti? Why this perpetual struggle between city administrations and those who create such art-pieces, some anonymous, some leaving their stamp.

Graffiti is an art form standing at the edge of law. Some do it for thrill; some to put across their message, for some it’s an outlet, some do it for recognition and some to revolt against established values and norms. Even after decades of existence there has not been any consensus on the subject. City administrations are either strictly against it or will shy away from the subject saying that they have larger issues of city infrastructure, education, poverty and all at hand to deal with. Go ask a planner, what with Graffiti, what to do with it, you will find them clueless, though some of them might tell you few ways to curb this phenomenon.

Why graffiti culture exists in first place? Unless we try to understand the psychology of underground art, we can’t find a reasonable answer and solution to it. May be it’s the very imposition of rule to curb this behavior, triggers and sustain this behavior. Thrill of breaking the law, mixed with artistic skill, daring move and motivation by some cause, results in graffiti.

Isn’t it good to have wonderful artists in your city? But an artist needs to express and if you won’t give them enough opportunities and enough canvas they will express themselves in any manner, anywhere,  even if it’s a wall, and in this case public properties become soft target. Art itself has no boundaries, but we divide it in good and bad, civilized and vandalism. Piece of art by those few artists who have enough opportunity and money to display their work of art in an upscale gallery becomes a civilized and socially accepted art while the similar piece of art or poor or better if expressed on the walls of city streets and subways and any abandoned structures in form of graffiti gets a tag of vandalism. Can we do something about it?

There are few cities which provide long public walls at sea shores and other specified places specially for making graffiti, for those underground graffiti artists, who do not have to remain underground any more. They are making wonderful graffiti, day and night on these public canvases provided by city administrations, they don’t have to paint the subways and public structures anymore. Temporary, though they have a place for their creative outlet. We can always have some control strategies in place to check the nature and subject of graffiti to respect the feelings and sentiments of citizens.   

They say Taki or someone invented it, I think it exists before the dawn of civilization, remember those wonderful paintings from prehistoric caves? Its basic instinct of human being to express, expression in tangible forms, expressing it for good, to document, to leave it for generations to come, tools doesn’t matter, modes of expression is irrelevant and changing constantly. From prehistoric caves to modern urban wall they have expressed it and they will find out ways and means to express in future. So, it might be a good idea to start thinking of some city level policy intervention measures to provide an appropriate and recognized platform for easy and legalized creative expression, rather than negating its existence and simply trying to get rid of it.   

Planners and city administrations need to come forward and suggest strategies to integrate underground art in their city development plans and urban landscape. Making this form of art publicly acceptable and giving it mainstream recognition by taking illegality, obscenity any kind of provocation out of it. They need to propose strategies to recognize urban talent which has remained underground till now, and propose plans to nourish them by channelizing their talent in right direction and at right place. Simply creating and imposing the anti-graffiti law and trying to maintain the same is not the answer to this ever growing phenomenon, we need to channelize that creative energy in the right direction and at right places by creating favorable environment and instruments in city landscape.

                                                         

By: Anoop Jha