Let me show you the true artist in you!

No art is as inclusive as fine arts or call it whatever. 

It seems every single person is born with artistic talent specifically more pronounce and visible in the field of fine arts, abstract art or call it whatever, an artist even in you, whether you consider yourself an artist or not that is irrelevant,  proof is your childhood notebook filled with weird characters drawn by you and spoiled pages of your dad's diary and all the tattoo that you made on your hand, graffiti on your school desk and crayon spoiled walls of your house where you spent your childhood days and that creative surge when you were staring at the damp basement or loo walls trying to infer some meaning out of those grunge damp patterns, or even today if you occasionally tend to draw a smiley face on moist, dew clad surface and so on. Every adult was an artist in his or her childhood so they are today, so are you. 

Every child with his or her genuine creativity, making and living their own dreams in their sketchbook or on wall, vivid and real in their own imagination, a spell-bounding piece of rawness with bit of influence from surrounding, and we are not talking about all the art and craft assignments forced by educational curriculum and competition, those are plastic, manipulated, and imposed, threatening and robbing the very creative rawness of child. We are not talking about biased aesthetic judgement here. We are talking here for example the child's own interpretation of how round a sun should be or how round his dexterity allows him to draw it, not the Vinchi style geometric perfectness of circle which we tend to impose on them. Since art being essentially a true expression of self does not necessarily demands shape of circle to be a perfect circle so it really doesn't matter how well you used to draw a circle to qualify as an artist in your childhood, and since art is beyond the clutch of time so if you draw the similar weird circle today when you are grown up it is still an art and so you are an artist. Another reason is that if making a perfect circle is a qualification criteria for an artist than our computer or tab can do that job better than our master artist. 

So acknowledging the truth of your own childhood talent now you can appreciate the works of kids around better. Not judging them on their perfectness but admiring them for their innocence. You see these kids will grow up one day and change the very definition of understanding of what an art should be. After all its art if you can prove it. 

You might also like to read this post on "design diplomacy"

There used to be character and stories associated with every city street in good old time!

Contemporary Déjà vu streets - the price of mechanization, optimization and efficiency. 

Though green, well groomed, with cool informative signage and everything in place, contemporary city streets lack something, possibly lack of identity, lack of character may be! Every street looks the same more or less, you see from streets of your housing society to the neighborhood to city arteries, apart from little exceptions of some filth some beautification. What has gone wrong with the planners, landscape architects and urban designers today. You should first visualize the impactful streets of historic cities and meandering streets of untouched villages and then have a look at today's super functional streets, speed corridors rather, these are impressive indeed with all its robustness, but these are not impactful, at all, not something leaving lasting impression on our mind, not something to be remembered, not something to be praised by our future generations. Functional but industrial. Templates of supposedly best practices. But we forget that best practices lose their significance the moment we start, duplicating, imposing and transposing them. some of the mass public housing are the best example of how best practices can go wrong. 

Is it that there is no incentive left today at all to plan or design a street with character, is it that cities, public administrations and private clients lack fund (a myth) or we are robbed of imagination, is it that there are some big loopholes and ambiguity in the planning and design guidelines giving planners and designers an excuse not to be creative, is it that we have become so much efficiency oriented that we forgot we are not machines, is it that land is so scarce (a myth again) that we cant afford to have luxury of building streets with a memorable character, is it that after reading all those wonderful street characteristics in school we finally resort to the super efficient mechanized street templates, has it something to do with our optimized geometric city grid and complex infrastructure requirements, is it our drafting software to blame which has almost replaced our dear drawing boards, is it that scope of creativity is increasing being confined to the pedestrian and bicycle streets only, is it that urban designers role has been limited to the extent mentioned in their design guide book which either don't exist or is too vague for the cities of developing countries or too standardized for developed country? You see those bizarre public sculptures and momentous in the streets at places, those are nothing but helpless reactions of creative urban souls who are not being able to create a place called street in the way it should be, due to much propagated and regularized contemporary templates of streets. 

Can we dare to show some creativity amidst this long list of incentives and loopholes for "not to be creative". Can we as a planner, urban designers and landscape experts show them our humane side keeping cities monetary limitations (A myth) aside for a while. Can we design a street with an innate quality of "place" where you would often want to spend your time or something which you would like to appreciate while you driving back home?